Saskia Baron
Articles By Saskia Baron
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Brian and Maggie, Channel 4 review - Thatcherism's date...
The thesis underlying this two-part drama is that Brian Walden’s 1989 TV interview with Prime Minister Margaret Thatcher marked the end of the...
Formal Sppeedwear, The Windmill review - Stoke-on-Trent trio...
As Stoke-on-Trent’s Formal Sppeedwear immerse themselves in what turns out to be their penultimate song, they become lost in the music. What they...
Northern Ballet: Three Short Ballets, Linbury Theatre review...
Leeds-based Northern Ballet has built a reputation as a source of fine dancers who are also impressive actors. Federico Bonelli, the...
By the Stream review - enigmatic Korean drama
“I lead a peaceful, idle life, running a bookstore in Gangneung. Honestly, no customers.” Chu Si-eon (Kwon Hae-hyo) is genial and self-deprecating...
Album: Cymande - Renascence
When you’ve achieved the truly sublime, trying to recapture it can be bittersweet. Cymande, for the mere three years they existed in the early...
Russell Howard Live at the Palladium review - feelgood philo...
This special, available for a limited time only, acts as a sort of appetiser for the next leg of a mega tour that started in 2023, and still has...
Album: Bonnie 'Prince' Billy - The Purple Bird
Somewhat astoundingly, The Purple Bird is Will Oldham’s album number 21 using his Bonnie “Prince” Billy alias. A fine set of alt...
Catherine Airey: Confessions review - the crossroads we bear
Anglo-Irish author Catherine Airey’s first novel, ...
theartsdesk on Vinyl 88: Violent Femmes, Ringo Starr, ARXX,...
VINYL OF THE MONTH
Buñuel Mansuetude (Skin Graft/Overdrive)
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