Saskia Baron
Articles By Saskia Baron
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Balanchine: Three Signature Works, Royal Ballet review - exu...
Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...
theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apo...
Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...
Howard Amos: Russia Starts Here review - East meets West, vi...
Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...
DVD/Blu-ray: The Substance
“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”
Coralie Fargeat,...
A Working Man - Jason Statham deconstructs villains again
The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...
Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...
The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...
This City is Ours, BBC One review - civil war rocks family c...
The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...
Tales of Apollo and Hercules, London Handel Festival review...
Over the last three years of the London Handel Festival, two experimental productions have...
Album: Erlend Apneseth - Song Over Støv
A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an...