fri 04/10/2024

Elektra, Gergiev, LSO, Barbican Hall | reviews, news & interviews

Elektra, Gergiev, LSO, Barbican Hall

Elektra, Gergiev, LSO, Barbican Hall

Felicity Palmer's Clytemnestra takes honours in a pulverising performance

Richard Strauss's Elektra (1909): 'It can and should be moving, as well as unsettling'Boosey & Hawkes
Richard Strauss’s 1909 opera Elektra is a diabolical piece of work - less an opera than an event determined to cut its mark. A vast orchestra of 112 players unleashes a two-hour tsunami of sound across the stage, on which female voices are buffeted like pieces of driftwood, shrieking of mothers who murder husbands, daughters who want to murder mothers, rivers of blood, flayed horses, dogs, bodies. Subtle it isn’t. Loud it is. In the hands of Valery Gergiev and London Symphony Orchestra this week, pulverisingly loud.
Richard Strauss’s 1909 opera Elektra is a diabolical piece of work - less an opera than an event determined to cut its mark. A vast orchestra of 112 players unleashes a two-hour tsunami of sound across the stage, on which female voices are buffeted like pieces of driftwood, shrieking of mothers who murder husbands, daughters who want to murder mothers, rivers of blood, flayed horses, dogs, bodies. Subtle it isn’t. Loud it is. In the hands of Valery Gergiev and London Symphony Orchestra this week, pulverisingly loud.

Share this article

Comments

terrific review!

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters