LSO
Batiashvili, LSO, Pappano, Barbican review - French and Polish narcoticsSunday, 25 May 2025
Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern imagination that you can always discover something new, especially given the intense hard work on detail of Antonio... Read more... |
Josefowicz, LSO, Mälkki, Barbican review - two old favourites and one new oneTuesday, 20 May 2025
Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two established favourites from big names of the 20th century plus a new-to-me piece by a forgotten figure... Read more... |
The Excursions of Mr Brouček, LSO, Rattle, Barbican review - sensuousness, fire and comedy in perfect balanceWednesday, 07 May 2025
Who doesn’t love the quirky, passionate and humanitarian genius of Leoš Janáček? All of it, these days. Since Charles Mackerras introduced the UK to a then-unknown, even the less familiar operas have had plenty of exposure. Simon Rattle was among... Read more... |
LSO, Noseda, Barbican review - Half Six shake-upThursday, 10 April 2025
Tired after a hard day at the office? You might think you need a Classic FM-style warm bath, but the blast of Prokofiev’s Second Symphony, one of the noisiest in the repertoire, is the real ticket to recharging the batteries. Gianandrea Noseda, on... Read more... |
Jazz at Lincoln Center Orchestra, Marsalis, LSO, Pappano, Barbican review - sounds above substanceMonday, 17 March 2025
Few symphonies lasting over an hour hold the attention (Mahler’s can; even Messiaen’s Turangalîla feels two movements too long). Wynton Marsalis is a great man, but his Fourth, “The Jungle”, is no masterpiece, not even a symphony – a dance suite,... Read more... |
Classical CDs: Funeral marches, festivals and film noirSaturday, 08 March 2025
Quartets Through a Time of Change: music by Ravel, Durey, Tailleferre and Milhaud Brother Tree Sound (First Hand Records)There are plenty – and I mean plenty – of recordings of the Ravel String Quartet, the majority, I would guess, paired with... Read more... |
Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican review - a rainbow of British musicTuesday, 11 February 2025
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented poetry full justice. That “pennant universal” was reflected in two superlative soloists from South Africa and... Read more... |
Widmann, LSO, Pappano, Barbican review - razor-sharp attack in adrenalin chargesFriday, 07 February 2025
Perhaps all great music counterpoints and comments on the times, but Antonio Pappano and the London Symphony Orchestra have been searingly congruent. Before he took up his post as Chief Conductor, there were the extinction whispers of Vaughan... Read more... |
La rondine, LSO, Pappano, Barbican review - sumptuous orchestral playing in an underrated scoreWednesday, 11 December 2024
There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine – the Puccini opera once labelled a “poor man’s Traviata”.And yet it’s all the better for it. This is a... Read more... |
Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and lightMonday, 11 November 2024
Out of innumerable Rite of Springs in half a century of concert-going, I’ll stick my neck out and say this was the most ferocious in execution, the richest in sound. Others may have wanted a faster, lighter Rite. But the two things that make every... Read more... |
Wang, Lapwood, LSO, Pappano, Barbican review - grace and power from two keyboard heroinesMonday, 16 September 2024
It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair of shades. But the super-heroine pianist, who played Rachmaninov’s First Piano Concerto, turned out to... Read more... |
Frang, LSO, Pappano, Barbican review - a concerto performance to treasureFriday, 13 September 2024
Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back in time. Wednesday’s season opener gave us a MacMillan premiere “haunted by earlier musical spirits and... Read more... |
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