sun 27/05/2018

LSO

LSO, Rattle, Barbican review - symphonies of death and new life

In the 27 years since he first conducted Mahler’s Ninth Symphony, Sir Simon Rattle has steadily integrated its moodswings and high contrasts into a reading of a piece which now feels more than ever like the work of a man engaged in a form of...

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LSO, Rattle, Barbican review - incandescent swansongs by Mahler and Tippett

Why would any conductor resist Mahler's last great symphonic adventure? By which I mean the vast finale of his Tenth Symphony, realised in full by Deryck Cooke, and not the first-movement Adagio, fully scored (unlike most of the rest) by the...

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Faust, LSO, Gardiner, Barbican review - Schumann as never before

When a great musician pulls out of a concerto appearance, you're usually lucky if a relative unknown creates a replacement sensation. In this case not one but two star pianists withdrew – Maria João Pires, scheduling early retirement, succeeded by...

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Hallenberg, LSO, Gardiner, Barbican review - palpitating Schumann and Berlioz

Violins, violas, wind and brass all standing for Schumann: gimmick or gain? As John Eliot Gardiner told the audience with his usual eloquence while chairs were being brought on for the Berlioz in the first half of last night's concert, Mendelssohn...

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Kožená, LSO, Rattle, Barbican Hall review – springing surprises from Schubert and Rameau

Cheers and huzzahs greeted the arrival of Sir Simon Rattle on the Barbican stage last night before the London Symphony Orchestra had even played a note. The 10-day festivities to open his tenure as principal conductor evidently worked a treat. The...

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Zimerman, LSO, Rattle, Barbican review - a diverse Bernstein centenary

Leonard Bernstein is 100 already. Actually, he’s not – his centenary falls in 2018, but the LSO, an orchestra he conducted many times, is building up to the anniversary with a series of concerts featuring his three symphonies. This performance of...

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LSO, Alsop, Barbican review - Bernstein 100 opens not with celebrations but existential angst

Amen. The end – of a prayer, a service, even the Bible itself. But what, asks Leonard Bernstein’s Symphony No 3, Kaddish, if “Amen” is the beginning and not the end, the start of a conversation that hears the divine word and doesn’t say “So be it”...

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October, LSO, Strobel, Barbican review - Eisenstein with steel score

Forget the ersatz experience of Sergey Eisenstein's mighty silent films accompanied by slabs of Shostakovich symphonies composed years later. This collaboration between the London Symphony Orchestra and Kino Klassika is as close as we can ever come...

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Stravinsky Ballets, LSO, Rattle, Barbican review - the big three burn with focused energy

“Next he’ll be walking on water,” allegedly quipped a distinguished figure at the official opening of Simon Rattle’s new era at the helm of the London Symphony Orchestra. Well, last night, with no celebratory overload around the main event, the...

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La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamite

For his monster concerts in 1840s Paris, Berlioz took pride in assembling and marshalling a "great beast of an orchestra". At the Barbican on Sunday night, the LSO filled the stage and fitted the bill. Their thoroughbred tradition of Berlioz...

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Tetzlaff, LSO, Rattle, Barbican review - a triumphant homecoming for the maestro

After all the talk and anticipation, at last some music. Simon Rattle took up the reins of the London Symphony Orchestra last night – as its first ever “Music Director” – with a programme dedicated to home-grown composers whose lives span the...

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Classical CDs Weekly: Dutilleux, Dvořák, Ravel, Tchaikovsky

Dvořák: Symphony No 9, Sibelius: Finlandia Chineke! Orchestra/Kevin John Edusei (Signum)These live performances mark the recording debut of the Chineke! Orchestra, an ensemble created by bassist Chi-chi Nwanoku to provide opportunities for BME...

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