fri 22/11/2024

The Yukon Assignment review - two men in a boat test father-son bond | reviews, news & interviews

The Yukon Assignment review - two men in a boat test father-son bond

The Yukon Assignment review - two men in a boat test father-son bond

British documentary adventure explores Canadian wilderness

Into the wild: 'The Yukon Assignment'

The Yukon Assignment tracks a 500-mile canoe journey along a remote river in Canada taken by a British adventurer and his father.

The feature-length documentary is a gentle, unpretentious love-letter to untamed nature and its ability to bring two people together. For Chris Lucas, director and expedition leader, it is a chance to connect on a deeper level with his father Niall, a former actor and less adept adventurer. Chris tells us that his goal is to overcome both the “risk of bears” and the “risk of our relationship”.

The Yukon wilderness is a stunning backdrop for this intimate voyage. It is a vast, unpopulated, primeval terrain of plains, peaks and forests rich in wild berries. Chris manages to capture footage of lolloping bears, grazing caribou and some remnants of wolves in the sand. Niall is amusing as he incompetently wields a knife in one hand and pepper-spray in the other, pondering which to use first in the case of an attack. The unfazed Chris, who styles himself as a less intense Bear Grylls, chuckles at his dad’s earnestness.The Yukon AssignmentThe modest production and often handheld recording gives the film a rugged diary quality. Most of the film, though, feels like a home video (albeit with those stunning surrounds). Unfortunately, moments of potential drama – such as when a bear is spotted chasing a caribou, or when the pair enters a canyon of churning rapids – never really eventuate. At one point a bad patch of weather sets in. Doom-laden music sets a mood of foreboding. Chris and Niall both worry about hypothermia, or being snowed in, or losing visibility. Too suddenly the film cuts to the next day – cloudless and warm. The canoe is ready to go again as though the previous afternoon never happened.

There are too many moments that leave one grasping for a more considered narrative. But Chris’s central message is about the more intimate drama of one-to-one connection, and how some time away in the middle of nowhere can foster it. Late in the film, he recommends such voyages for “everyone”. It’s obvious that a 500-mile unsupported canoe ride into the Arctic Circle might not be everyone’s answer to that call. But the combination of Chris and Niall’s slightly bumbling incompetence and their down-to-earth likeability does make even the most extreme of voyages seem possible.

Watch the trailer to The Yukon Assignment


 
There are too many moments that leave one grasping for a more considered narrative

rating

Editor Rating: 
3
Average: 3 (1 vote)

Share this article

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters