fri 30/10/2020

Tom Baily

Articles By Tom Baily

The Dead and the Others review – dreamlike journey set in indigenous Brazilian community

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Hillary, Sky Documentaries review - facing the fire and fury

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A Russian Youth, MUBI review - First World War setting, contemporary orchestra

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The Courier review – lacklustre hit job goes bad in every way

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Honey Boy review - coming to terms with dad

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The Nightingale review – revenge without redemption

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The Man Who Saw Too Much, BBC One review – death camp in the clouds

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The Amber Light review - tales, songs and drams

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Britain’s Lost Masterpieces, Episode Three, BBC Four review – more than a bit of Botticelli

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The Fall of the Berlin Wall with John Simpson, BBC Four review – the future we’ve left behind

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Get Rich Or Try Dying: Music’s Mega Legacies, BBC Four review – inside the RIP business

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Zombieland: Double Tap review - dead dull redo

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Gaza review - portraits of love and futility

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Cindy Sherman: #untitled, BBC Four review - portrait of an enigma

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The Dead Don't Die review - return of the zom-com

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8 Days: To the Moon and Back, BBC Two review - intimate peek at life in lunar capsule

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Mogul Mowgli review - displacement and generational trauma

When Mogul Mowgli was first announced, it was fair to expect something of a realist biopic. After all, you had documentary director...

The Sister, ITV review - half-baked dramatisation of esteeme...

Neil Cross’s novel Burial was hailed for its skilful plotting and insightful characterisations, as well as its macabre atmosphere....

Shirley review - hothouse art film about American horror wri...

Shirley is one of those films that the mood you’re in when you watch it will dictate whether you think it’s a great...

Album: Dizzee Rascal - E3 AF

You can’t ever go all the way home again, and for years Dizzee Rascal didn’t want to. His...

theartsdesk on Vinyl 60: Acid Pauli, Mercury Rev, Cabbage, K...

Due to COVID-related nonsense too tedious to relate, this month’s theartsdesk on...

Pavel Kolesnikov, Wigmore Hall review - the stuff of dreams

To plan a programme around The Tempest, its symbolism and the idea of evanescence, the fragility of the human condition, is one...

Gigantic Cinema: A Weather Anthology review - wild writing t...

Among the French composer Claude Debussy’s greatest and characteristically subtle innovations was to put the titles at the end of his pieces. He...

Philharmonia, Rouvali, RFH review – wide range of American v...

There’s an old rule in the theatre that you don’t have to go on if there are more people on stage than in the audience. Last night I counted less...