thu 05/12/2024

CD: Sum 41 - Order In Decline | reviews, news & interviews

CD: Sum 41 - Order In Decline

CD: Sum 41 - Order In Decline

Big guitars and high drama from the punk-ish Canadians but no soul

'Order in Decline': white bread

Sum 41 were one of those light-weight punk-ish bands in unfeasibly large pairs of shorts that washed up in the wake of Green Day’s early success in the mid-90s. They soon became the acceptable face and sound of punk, sold millions of albums and picked up armfuls of awards, and even played a role in the rehabilitation of Iggy Pop’s career, by accompanying him on 2003’s Skull Ring album.

On returning home from their last, three-year world tour for 13 Voices, instead of doing the smart thing and taking a break, band frontman Deryck Whibley sat down and wrote Order In Decline in less than a month. Anyone hoping for a radical change in direction or even splashes of colour from the countries that Sum 41 had visited prior to Whibley’s monster writing session, however, is going to be sorely disappointed. As with most of their previous work, Order in Decline is characterised by big guitars, an overly sleek production and vapid lyrics sung in a melodic nasal whine with a bit of autotune assistance.

The bombastic opener “Turning Away” sets the album’s tone, with anything raw, edgy or even just non-middle-of-the-road expunged, and a flashy, vacuous guitar solo inserted towards the end. “Heads Will Roll” is more promising, but the slightly raw introduction soon gives way to excessive polish and the somewhat unconvincing refrain of “You don’t want to make me lose my shit, ‘cause heads will roll”. There are even a couple of power ballads in “Catching Fire” and the overwrought “Never There”.

Towards the final straight, Sum 41 partially redeem themselves with the metal power-chords and driving thump of “Eat You Alive” and the speedy and sharp “The People vs…”. But it’s too little, too late and while they do seem to have their hearts in the right place, that really doesn’t excuse anything as artistically white bread as Order in Decline.

Big guitars, an overly sleek production and vapid lyrics sung in a melodic nasal whine with a bit of autotune assistance

rating

Editor Rating: 
1
Average: 1 (1 vote)

Explore topics

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters