mon 18/11/2024

Boogarins, Jazz Cafe review - psychedelic hues and Brazilian grooves | reviews, news & interviews

Boogarins, Jazz Cafe review - psychedelic hues and Brazilian grooves

Boogarins, Jazz Cafe review - psychedelic hues and Brazilian grooves

A trippy conversation where the psyche-pop-rock doesn't get lost in translation

I never quite know where I stand with with jazz. The endless, drifting circular loops of sound, subversive grooves and syncopated rhythms are like having the same conversation over and over, with slightly different turns of phrase and emphasis on different points.

Brazilian psychedelia band Boogarins’ interpretation of this intimate interchange saunters from soft whistling and the warm murmur of trancey beats, through the casual discourse of bluesy guitar harmonies and synthy chatter, punctuated by harder rhythmic rock.

Their singing in Portuguese distances me even further from a full grasp on their supernova-psyche-sound, but it’s no matter really, as the dark warmth of Camden’s Jazz Café is all enveloping with an ambience of candlelight, cocktails and bass-reverb that makes your chest burn.

The trippy beats of Boogarins’ first album Manual Ou Guia Livre De Dissolução Dos Sonhos (2015) located the four-piece as modern masters of psyche-rock - but these guys are more than 60s beats and bangles.

Lead singer Dino Almeida is infectious, his voice soft, high and honeyed as he smiles with big teeth that shine for days, swallows the mic and pacifies the fans shouting “Cuba Libre!”. He uses his voice as an instrument, imitating the sounds an electro keyboard device might make.

Presumably they play tracks from Manual, their second album Lá Vem A Morte (translated as Here Comes Death) as well as their latest - Sombrou Dúvida. I really have no idea, but their fans seem to come alive with the more wordy tracks, whooping and singing along. But even without any understanding of the lyrics, and with a tendency to lose concentration rather a lot, I can still appreciate the bands’ addition of experimental electronica to an already kaleidoscopic texture.

Whatever the words are that get lost in translation, the jangley, instrumental meltdowns, whirling breathe of psyche-jazz with a mild pop edge all amounts to a musical vocabulary that makes up a surprisingly sophisticated sonic conversation in which Boogarins seem to have found their voice – and it's one I'd like to keep on whispering in my ear.

The trippy beats of Boogarins’ first album located the four-piece as modern masters of psyche-rock - but these guys are more than 60s beats and bangles.

rating

Editor Rating: 
3
Average: 3 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters