Alexei Sayle, Oxford Playhouse review - return of the political bruiser | reviews, news & interviews
Alexei Sayle, Oxford Playhouse review - return of the political bruiser
Alexei Sayle, Oxford Playhouse review - return of the political bruiser
A lot to get off his chest after seven years away
It has been seven years since Alexei Sayle last toured, with radio shows and books detaining him elsewhere, but he's back with a bang. As he walks on stage, he immediately starts railing about the “Eton boys running the country”; instead of hailing the school for having produced 20 prime ministers, “it should be in special fucking measures.” Oh, we've missed him.
The old-fashioned lefty – who invented alternative comedy, he says with a knowing look more than once in the 80-minute set – is in mourning for what might have been, he says. He clearly has a lot to get off his chest, as a referendum and three general elections have happened since he last toured. He's an equal-opportunities offender, throwing jibes at the “conservative” BBC and the "useless" Guardian, and it's almost like old times when he works in a neat gag about Israel and the occupied territories.
Peter Kay and Ant and Dec, comics he regards as money-obsessed, get it in the neck too, although his mate Lenny Henry has an easier ride about having once appeared in The Black and White Minstrel Show when he was starting out in comedy.
The Liverpudlian bruiser, who grew up in a Communist household, is still angry, with lots of targets for his political bile. Even the dear old Queen gets a dishonourable mention (she “pervades our civic life like a skin disease”), but this is mostly so he can launch into a wonderfully surreal story in which Her Majesty appears in person as Regina at a scally's criminal trial.
The energy level and the gag quotient are high, and his reach is broad. References to Harvey Weinstein, David Miliband, the DUP and Comic Relief (which he regards as a work creation scheme for comedians) sit alongside those to Pret a Manger and knowing Lily Allen when she was a toddler.
At 67, he's grateful for his bus pass but has started to feel his age – and when he passed 60 he found it a bit weird that the NHS asked him to send a stool sample to be examined (although now he might be tempted to send it to Jacob Rees-Mogg).
Sayle had a health scare last year, and he turns the story, which thankfully had a positive outcome, into a bravura finale. It's good to have him back.
- Alexei Sayle is touring until 6 April
rating
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Add comment