The brothers started working on this set of sound colours in a relaxed, ad hoc fashion that suits its ambience. Some 15 years ago, Roger Eno began intermittently sending files of short new MIDI keyboard compositions over to Brian, on to work his magic at his leisure. It soon became what he describes as “a back-and-forth conversation we were having over a 15 year period. I’d wake up, go straight upstairs, put my equipment on and improvise, then I sent things to Brian that I thought he might be interested in. The idea for a full album emerged as the number of pieces kept increasing and the results kept being interesting. It’s something that neither of us could have arrived at alone”.
All but one of the 18 pieces, exquisite miniatures all, are named after colours, from "Burnt Umber" to "Verdigree" via "Cinnabar", "Cerulean Blue" and (my favourite track) "Dark Sienna" – how’s that for your World of Interiors colour scheme? Evocative of the bruised emotional sweetness and limpid, slightly otherworldly yearning we associate with late Schubert, the tonal range across Mixing Colours combines to create a music experience of profound stillness and calm, and that works very well on repeat – in fact, the perfect soundtrack to self-isolate by in these unprecedented times.
