BBCSO, Mälkki, Barbican Hall | reviews, news & interviews
BBCSO, Mälkki, Barbican Hall
BBCSO, Mälkki, Barbican Hall
Yet another dazzling Finnish conductor sheds light on a tough programme
Sunday, 31 January 2010
Susanna Mälkki: electrifying in a technicolor programmeTanja Ahola
Fashionable concertgoers, if you'll forgive the oxymoron, may have missed the raciest heartbeat of a dizzying week. While Barenboim's Beethoven and Vänskä's Sibelius packed in the cognoscenti at the Royal Festival Hall, kids tagging along to the BBC Symphony Orchestra's "Family Music Intro" and a hardcore of rare-repertoire collectors at the Barbican were treated to a parade of oddball scores dazzlingly communicated by another of those amazing Finnish conductors, Susanna Mälkki, and Portuguese pianist Artur Pizarro.
Fashionable concertgoers, if you'll forgive the oxymoron, may have missed the raciest heartbeat of a dizzying week. While Barenboim's Beethoven and Vänskä's Sibelius packed in the cognoscenti at the Royal Festival Hall, kids tagging along to the BBC Symphony Orchestra's "Family Music Intro" and a hardcore of rare-repertoire collectors at the Barbican were treated to a parade of oddball scores dazzlingly communicated by another of those amazing Finnish conductors, Susanna Mälkki, and Portuguese pianist Artur Pizarro.
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Best of 2024: Classical CDs
Our pick of the year's best classical releases
First Person: cellist Matthew Barley on composing and recording his 'Light Stories'
Conceived a year ago, a short but intense musical journey
The English Concert, Bicket, Wigmore Hall review - a Baroque banquet for Christmas
Charpentier's charm, as well as Bach's bounty, adorn the festive table
Classical CDs: Woden, waltzes and watchmaking
Big box sets, a great British symphony and a pair of solo cello discs
Messiah, Wild Arts, Chichester Cathedral review - a dynamic battle between revelatory light and Stygian gloom
This supple inventive interpretation of the 'Messiah' thrillingly delivers the story
Messiah, Academy of Ancient Music, Cummings, Barbican review - once more, with real feeling
The seasonal standby returns with heart, zest and grace
Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger
Young quintet dazzle with their technical accomplishment and easy charm
Classical CDs: Christmas 2024
The year's best seasonal releases
Giltburg, Bournemouth SO, Wigglesworth, Portsmouth Guildhall review - seemingly effortless élan
New chief conductor turns Tchaikovsky waltz king, and a Rachmaninov partnership flows
Bach Mendelssohn Festival, Part I, Oxford Philharmonic Orchestra review - the flame that never died
Top-flight performers show how a musical legacy endured
Currie, Hallé, Wong, Bridgewater Hall, Manchester review - sparkle and intrigue
Energy and excitement in MacMillan… and then a surprise
Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall review - a joyful, fascinating laboratory of noise
Celebrating the avant-garde through different cultures
Add comment