Kiri Pritchard-McLean, Brighton Dome review - a foster carer's tale | reviews, news & interviews
Kiri Pritchard-McLean, Brighton Dome review - a foster carer's tale
Kiri Pritchard-McLean, Brighton Dome review - a foster carer's tale
Comic skilfully melds a personal story with sharp social commentary
Kiri Pritchard-McLean has spoken on stage before about her interest in helping young people – including in her 2017 show, Appropriate Adult, in which she talked about being a mentor to a vulnerable youngster. In Peacock, her latest touring show which I saw as part of the inaugural Brighton Dome Comedy Festival, she talks about how she and her partner, Dan, came to be foster carers.
There are, the comic informs us, more than 100,000 children in the care system in the UK. It's a subject that in less assured hands could be dull, preachy or an exercise in virtue-signalling – she gets a lot of mileage out of the last mentioned – but Pritchard-McLean, a wonderfully sweary, sardonic and self-deprecating comic, ladens the story with gags.
She starts by filling in background details for anyone new to her story; as a child she had a vague notion of eventually having children, but by her thirties pretty much knew she didn't want to be a biological mother – perhaps in part as a response to those women who start almost every sentence “Speaking as a mother...” who get a gloriously funny kicking here.
But Pritchard-McLean makes it clear that she massively admires mothers (single mums particularly) and also social workers – with whom she has had a lot of dealings during the fostering process – who are duly praised, though not before the comic has got a lot of laughs out of them too.
The core of the show is Pritchard-McLean talking about the lengthy and emotionally gruelling process that all would-be foster carers have to go through. But the comedy is mined here, too – the mandatory first aid training, the elderly vicar in an assessment role who looked at the comic's material on YouTube – as well as the jeopardy of appearing before a panel of social workers who would decide if she and Dan were made of the right stuff. Of course we know there'll be a happy ending but by then we've been through the emotional wringer too.
As with previous shows, Pritchard-McLean skilfully melds personal anecdotes with incisive social commentary. This is an evening full of laughs, proving that serious subjects can be very funny indeed.
rating
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Add comment