sun 01/12/2024

Album: Halsey - The Great Impersonator | reviews, news & interviews

Album: Halsey - The Great Impersonator

Album: Halsey - The Great Impersonator

The US star muses on mortality via channelling her musical heroines

Halsey: "Witness the uncanny ability of a woman who can become anyone, anything your heart desires"

For many performers, flirting with death is a pose or a distant metaphor, or simply don’t-give-a-damn insouciance. This is not the case with Halsey on her fifth album. She’s been assaulted, in recent years, by a range of serious illnesses and conditions, of which Lupus and a T-cell disorder are the latest.

The Great Impersonator spends time staring down the barrel of her mortality, viewed through the prism of motherhood. It is moving and musically impressive.

Halsey is a global star who’s used the pop platform to spring in interesting directions. For instance, she created her last album with Nine Inch Nails’ Trent Reznor and Atticus Ross. On this one, each of the 18 songs is inspired by a female musician, ranging from PJ Harvey to Aaliyah. An enjoyable game is trying to figure out who for each (the answers are on Wikipedia). This aspect is well rendered, not mere imitation, due to her delivery and sharp lyrical skill. Even when she slips into pastiche, as on “Lonely is the Muse”, which channels Evanescence, Halsey nails it, and with passion.

The production ranges from the super-lo-fi studio demo of “Letter to God (1974)” to the typical stadium femme-pop of the single “I Never Loved You”, to the well-realised Fleetwood Mac-ish yacht rock of “Panic Attack”. But it’s her singing and the existential power of the songs that wins the day: Halsey compares her medical use of needles to long-dead junkies she once knew on “Letter to God (1983)” and muses the cosmic inference of her health issues on the beautiful, piano-led “Darwinism” (“They say that God makes no mistakes but I might disagree”).

There’s a plethora of good songs. From the Dolly Parton-centric “Hometown” to the bubbly burlesque orchestral pop of the title track (honouring Björk) to the epic, informal, giggly, and eventually kick-drum-crazed opener “Only Living Girl in LA”. And there’s more too. She’s suggested that, due to her health, this might be her last release. Let us absolutely hope not. The potency of the one-hour-six-minute album would, perhaps, be heightened by a trim but its rich, real substance showcases a songwriter in her imperial phase.

 Below: Listen to "Darwinism" by Halsey

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters