Album: Alice Ivy - Do What Makes You Happy

Aussie producer's third is half gems and half pap

What’s to be said about an album that’s half well-executed body-moving, dancefloor pop and half sickly, slick schmaltz? It’s as if the creator is covering off all possible fanbases, those with taste and those lacking it. From a reviewing perspective, with theartsdesk’s score-out-of-five system, it’s tricky; one song I’m thinking, “Yes, a whopper, and the next, yuk, a pure zero.” But, staying positive, about 20 minutes of Do What Makes You Happy’s approximately 40, are full of entertaining verve and bounce.

Alice Ivy is the stage-name of Melbourne-based German-Australian electronic producer Annika Schmarsel, a recognised rising talent in her home country. This is her third album, peppered with mid-level guests such as Låpsley, Sam Sparro and Mayer Hawthorne. What strikes home first is the bright immediacy of the production and the contagious summery uplift of the best songs. Solid comparatives might be Confidence Man and Fred Again (both of whom also habitually veer between intriguing clubland chops and pongin’ cheese).

Those who wish to dive straight to the stink might check the pairing of the title track and “Broke My Heart” which, between them, boast repugnant autotune gloss, and likeably woozy hyperpop plasticity slipping wholesale into sugar-bloated fast food slop for the ears. But let’s stay away from such tracks.

Instead, what about opener “Howlin’ at the New Moon”, an irresistible bass-funkin’ hip-shaker? Or the gorgeous strum’n’whistling sunlit “Wildlife”, which is supremely catchy and genially euphoric? Or the pulsing heft of “All in My Head”, which combines a speaker-splurging density of sound with hints of New Order-ish songcraft? All these and at least one more more charm, with another couple that aren't actively offensive. The rest, let us not speak of.

Below: Watch the video for "Howlin' at the New Moon" by Alice Ivy, featuring Mayer Hawthorne

 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Solid comparatives might be Confidence Man and Fred Again

rating

3

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Young composer and esoteric veteran achieve alchemical reaction in endless reverberations
Two hours of backwards-somersaults and British accents in a confetti-drenched spectacle
The Denton, Texas sextet fashions a career milestone
The return of the artist formerly known as Terence Trent D’Arby
Contagious yarns of lust and nightlife adventure from new pop minx
Exhaustive box set dedicated to the album which moved forward from the ‘Space Ritual’ era
Hauntingly beautiful, this is a sombre slow burn, shifting steadily through gradients
A charming and distinctive voice stifled by generic production