Glyndebourne announces 2011 operas | reviews, news & interviews
Glyndebourne announces 2011 operas
Glyndebourne announces 2011 operas
Monday, 17 May 2010
Rusalka and her sisters: Melly Still's bewitching production returns to Glyndebourne next summerBill Cooper
It used to be a treat saved up for the end of the season, when a Christie of Glyndebourne would step before the curtain and announce the next year's operas. Now, like everyone else, Glyndebourne is jumping in quick with its plans, partly, I guess, to raise money for its most expensive project yet - Wagner's Die Meistersinger von Nürnberg as next year's very festive opening gambit.
It used to be a treat saved up for the end of the season, when a Christie of Glyndebourne would step before the curtain and announce the next year's operas. Now, like everyone else, Glyndebourne is jumping in quick with its plans, partly, I guess, to raise money for its most expensive project yet - Wagner's Die Meistersinger von Nürnberg as next year's very festive opening gambit.
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Rossini’s one-acter helps young performers find their talents to amuse
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Sublime Olivia Fuchs production of a great operatic swansong
Salome, Irish National Opera review - imaginatively charted journey to the abyss
Sinéad Campbell Wallace's corrupted princess stuns in Bruno Ravella's production
Jenůfa, English National Opera review - searing new cast in precise revival
Jennifer Davis and Susan Bullock pull out all the stops in Janáček's moving masterpiece
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'Lohengrin' marks a remarkable singer's arrival on Planet Wagner
Giant, Linbury Theatre review - a vision fully realised
Sarah Angliss serves a haunting meditation on the strange meeting of giant and surgeon
Der fliegende Holländer, Royal Opera review - compellingly lucid with an austere visual beauty
Bryn Terfel's Dutchman is a subtly vampiric figure in this otherworldly interpretation
The Magic Flute, English National Opera review - return of an enchanted evening
Simon McBurney's dark pantomime casts its spell again
Così fan tutte, Welsh National Opera review - relevance reduced to irrelevance
School for lovers not much help to the singers
Manon Lescaut, English Touring Opera review - a nightmare in too many ways
Grotesque staging sabotages Puccini's breakthrough tragedy
Marx in London, Scottish Opera review - the humour of history made manifest
A capital production of an unexpectedly comic opera
Cavalleria Rusticana/Aleko, Opera North review - a new foil for Mascagni
Overlapping casting in two tragedies of infidelity and jealousy
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