Reviews
Veronica Lee
A lot has happened to British-Canadian comic Katherine Ryan since she last toured and was expecting to go back on the road in 2020 – the “pandem”, which affected us all, of course, plus unexpected marriage and second-time motherhood. Updating us on that, plus her thoughts on much more, is a lot to pack in but she does so at pace in a show that barely stops for breath.She keeps us waiting for a while before she tells us why this show is called Missus, though. First she has some nicely caustic asides about a few celebrities, her thoughts on anti-vaxxers and Covid conspiracy theorists, and the Read more ...
David Nice
Having sung the Gondoliers’ Duet with an Iranian tenor who’d been a big pop star in his native land, I know that internationalism hit performances of the Savoy operas some time ago (this superb but all-white ensemble admittedly doesn't follow the general phenomenon). The master composer and the verbal wit may not have travelled the world musically speaking, apart from a famous little excursion into Japonisme, but we can safely acclaim them as lifelong Europeans.In the earlier gems of his partnership with Gilbert, Sullivan gives us loving, memorable spoofs of Italian and German opera from Read more ...
Kieron Tyler
It was going to be great. Birmingham’s Digbeth Rag Market was hosting 1977’s highest-profile punk festival on 17 July. The Clash were headlining. Also billed were The Heartbreakers, Rich Kids, The Saints, Shagnasty, Stinky Toys, Subway Sect and Tanya Hyde & the Tormentors.Two days before it was meant to happen, the city council cancelled it. A gathering of punks was prevented. Even so, The Clash and the less-lauded Shagnasty came to town and after meeting pissed-off ticket holders went to local venue Barbarella’s to put on an impromptu show. They used equipment borrowed from the band Read more ...
Nick Hasted
If Roman Polanski had directed Whiplash, something like this study of music’s psychological cost might have resulted. Ina Weisse’s film is more incremental and naturalistic, as violin teacher Anna (Nina Hoss) gives special attention to teenage protégé Alexander (Ilja Monti), to the jealous resentment of son Jonas (Serafin Mishiev), while nervously returning to the stage herself.Weisse starts with tableaus of music work at Anna’s Berlin conservatoire. When camera and characters get close-up, the trouble – and, sometimes, loving connection – starts. Because music is in Anna’s family’s bones, Read more ...
Helen Hawkins
To a camp bluesy theme tune performed by what sounds like a yowling cat (actually the song’s co-writer, Mick Jagger), this prestige production from Apple TV+ opens up the world of the “slow horses”, the disgraced spies who are the anti-heroes of Mick Herron’s bestselling spy novels. These sad cases work out their penance to the Service in an outpost near Barbican station called Slough House, hence their nickname, whipped along by their boss, Jackson Lamb, a man of digestive instability and sadistic bent who resents every minute he has to spend with them in spy Siberia, and lets them know Read more ...
David Nice
Three Beethoven quartets, early, middle and late, in a single evening – inevitably as part of a cycle, like the Jerusalems’ Wigmore Hall triptych last night – is demanding on the audience, supremely tough on the players.We could have left this concert enriched and on a high at the half-way mark, open-mouthed at the brilliance of the tumultuous fugal finale in the third “Razumovsky” Quartet, Op. 59 No. 3 in C. Never was an interval needed more before the four players returned to the awesome challenge of the great, seven-movement C shap minor Quartet Op. 131 (one of Beethoven's sketches Read more ...
Daniel Baksi
Following the much-maligned Venom (2018) and Venom: Let There Be Carnage (2021), the third film in Sony’s Spider-Man Universe stars Jared Leto as Nobel Prize-winning scientist Dr Michael Morbius. Suffering from a rare blood condition that threatens to take his life, Morbius self-enrols in an experimental cure, combining his DNA with that of a vampire bat and so destining himself for a future as a living vampire.Symptoms of Morbius’s newfound condition are as follows: super-human speed, super-human strength, echolocation and, as he ultimately discovers, flight. Morbius, for all intents and Read more ...
David Nice
Kudos, first, to Edward Gardner for mastering a rainbow programme of 21st century works in his first season as the London Philharmonic Orchestra’s Principal Conductor. Three Americans and a Berlin-based Brit, two women composers and two men, one of them a Pulitzer Prize-winning Afro-American who wrote the work in question in his nineties, all had the benefit of committed, clearly well-prepared performances, enthusiastically received by an ideally mixed audience.The concert kicked off a five-day Southbank Centre celebration of new and newish music from around the world, SoundState (though Read more ...
Jessica Duchen
This recital of love songs by Robert Schumann and Johannes Brahms, devised by the pianist Helmut Deutsch and sung by the megastar duo of soprano Diana Damrau and tenor Jonas Kaufmann, looked on paper like the Lieder event of the year. In practice, it left a good deal to unpick.Deutsch had pulled together 40 songs – yes, 40 – by the two composers, exploring aspects of love from myriad angles. Each half was arranged in three groups of songs (six by Schumann, seven by Brahms, etc), the idea being to build a narrative of sorts from number to number. The first half was the darker (Damrau Read more ...
Bill Knight
Ming Smith is a Black female photographer. When she first dropped off her portfolio at New York’s Museum of Modern Art in 1978 the receptionist assumed she was a courier. When MoMA offered to buy her work she declined at first because the fee didn’t cover her bills. Luckily for us, she relented. Later she said that, "Being the first Black woman photographer to have a work acquired by the MoMA was like getting an Academy Award and no one knowing about it."Smith was the first woman to join the Kamoinge Workshop in New York in 1963, a pioneering group of Black photographers who, she says, “ Read more ...
Jenny Gilbert
Of all the expectations one might have of a new ballet from a choreographer raised on street dance who has made work about the American prison system, serene loveliness isn’t one of them. The name Kyle Abraham is not new to Royal Ballet audiences, but the squib of a piece he made for a mixed bill last year, Optional Family, gave scant idea of what he would do given 35 minutes of stage time, several more dancers and an orchestra. The Weathering, premiered as part of a contemporary triple bill, is surprisingly classical and utterly gorgeous.Abraham – who turns out to have a string of Read more ...
Jonathan Geddes
There are few people, especially musicians, who would wish to revisit the spring and summer of 2020 with any fondness, but Sophie Ellis-Bextor might be an exception. Her kitchen discos, in which she and her husband Richard Jones, aided by their children, played a variety of covers became a lockdown source of solace and regular entertainment at a time when it was much needed.Two years later she has taken the concept out on the road for a celebratory party, albeit sans the kids, as she admitted with a laugh. To replace her children’s unexpected antics we instead had a large wheel, spun on a Read more ...