Reviews
Ismene Brown
Hindsight is everything. In the light of Russia's invasion of Ukraine, political intrigues have suddenly taken on a far more menacing face, disbelief has been pulverised by reality – and theatre has become actuality.A few weeks ago, the Belarus Free Theatre’s Dogs of Europe was listed at the Barbican as a psychological drama set in a dystopian near future, a “fantasy and political thriller about the dangers of looking away when authoritarianism takes root.” The thrill of doom art without doom reality.But at the weekend the production seemed to have been projectile-vomited onto the stage by Read more ...
Sarah Kent
The night after visiting Tate Modern’s Surrealism Beyond Borders I dreamt that a swarm of wasps had taken refuge inside my skull and I feared it would hurt when they nibbled their way out again.If I painted a self-portrait with wasps escaping from my eyes, nose, ears and mouth it would be a striking image; but would it make me a Surrealist? According to this exhibition, the answer would be a resounding “yes”, since its goal is to chart how Surrealism spread across the globe and how, since the 1920s in Paris, this radical way of thinking has taken root in the collective unconscious ( Read more ...
Veronica Lee
Catherine Bohart had a more eventful lockdown than most, as it marked the end of a five-year relationship and what she describes as a sort of breakdown followed. To add insult to injury, the break-up came not along after she and her girlfriend, fellow comic Sarah Keyworth (whom she doesn't name in the hour), had launched You'll Do, a podcast about – you've guessed – love and relationships.This Isn't For You describes the pain of that time, but Bohart is such a positive presence, and lands the gags so well, that it's rarely downbeat. It is, however, occasionally reflective as she questions Read more ...
aleks.sierz
You can’t keep a great playwright down. Ron Hutchinson, whose award winning stage plays, such as Rat in the Skull (1984) and Moonlight and Magnolias (2005), are contemporary classics, has been absent from view for a while. But although he has fallen off my radar in recent years, perhaps it is because, as the title of his book on writing for a living says, he’s been “Clinging to the Iceberg”. Which is a neat segue into his newest play, Ghosts of the Titanic, which gets its world premiere in a coproduction between Park Theatre and Brill Productions. But although it’s an intriguing take on a Read more ...
stephen.walsh
If like me you regard the ending of Janáček’s Jenůfa as one of the most moving scenes in all opera, you might care to consider how it would be possible to deflate it in spite of the best singing imaginable. You might, for instance, bring up a back curtain revealing a beautiful garden three or four years on with a sweet little boy gambolling through it, the future product, presumably, of Laca and Jenůfa’s love as opposed to the frozen product of hers and Laca’s half brother Števa’s, recently discovered under the river ice.No surely: too kitsch by half! But that is precisely what happens in the Read more ...
Nick Hasted
The relative runt of the Godfather litter was hacked out in a Las Vegas casino, as Francis Ford Coppola and Mario Puzo worked up scenarios for an assignment taken on for the money. Coppola the inveterate cinematic gambler, crippled by the dashing of his indie mogul dream with Zoetrope Studios, could no longer refuse Paramount’s sequel offer. Now that he’s reframing this renamed, subtle yet radical re-edit of The Godfather Part III as “a summing up, almost an illumination of what the first two films mean”, its ignoble, desperately hot-housed origin should be remembered. Much feels forced, as Read more ...
Kieron Tyler
In 2000, Broadcast’s first album The Noise Made By People entered the UK’s mainstream Top 100 and claimed the top spot on the dance charts. Three years later, their second album Haha Sound was in the Top Ten of America’s dance/electronic charts. It also went Top Five on the UK’s dance charts.Although this confirms Birmingham's Broadcast weren’t necessarily outsiders, their third album Tender Buttons did not chart. By this point, in 2005, they had slimmed down from a five-piece to core members James Cargill and Trish Keenan. Tender Buttons was followed by the 2009 collaboration album Broadcast Read more ...
Adam Sweeting
Netflix’s fly-on-the-pitwall series has rapidly established itself as a vital ingredient in the tapestry of Formula One coverage, and is credited with giving the sport a huge boost in visibility and popularity, not least in the USA. This fourth outing (now featuring even more undeleted expletives than ever) takes a look back at 2021’s dramatic racing season, which ended in uproar and controversy in Abu Dhabi last December.The headline event of the year was the increasingly bitter struggle between Mercedes and Red Bull, as they battled to win the driver’s and constructors’ titles. Max Read more ...
Helen Hawkins
Do you happily binge four hours of mind-candy TV in one sitting? Alecky Blythe’s latest verbatim play, Our Generation – which runs for 3hr 45min at the Dorfman space of the National Theatre – might take almost as long but will probably be much more rewarding.Blythe made her name in 2011 with the excellent London Road, another NT production (staged by its current artistic director, Rufus Norris and subsequently filmed), which used as its script statements by people involved in events in Ipswich while a serial killer was on the loose. Most of the actors’ words were sung to simple tunes, almost Read more ...
Sebastian Scotney
A story of forbidden love, Great Freedom takes place almost entirely in a prison. The film's background is encapsulated in the word “175er/ hundertfünfundsiebziger”, still to be found in German dictionaries and collective memories as a pejorative word for a gay man.It's a reference to Clause 175 of the German Criminal Code, which criminalised homosexuality. The law was originally introduced in 1871, broadened by the Nazis in 1935, substantially re-drawn in 1969, but only finally and fully repealed in 1994. There is also topicality here: claims for reparations – which are generally Read more ...
Daniel Baksi
One feels, or perhaps hopes, that if she could have avoided it, first-time feature director Ruth Paxton might not have started A Banquet as she ultimately did: with Holly Hughes (Sienna Guillory) arduously scrubbing the frame of her husband’s hospital-style bed, as he coughs, gasps, and weeps for an end to whatever ghastly affliction he has been dealt. Not to be deterred from her usual course of existence, Holly pops across the kitchen to make herself a smoothie. Out comes the chopping board, in flies the fruit, and the blender goes whirr. Guillory’s face, angular and incisive Read more ...
Boyd Tonkin
Had he never written a note of his own, George Walker would still have left a record of trailblazing achievements. Born in Washington DC in 1922, he studied piano at Oberlin College and the Curtis Institute (the conservatoire that notoriously rejected Nina Simone). He was taught by Rudolf Serkin and, in 1945, debuted as a soloist first at the New York Town Hall and then, playing Rachmaninov’s third concerto, with the Philadelphia Orchestra under Eugene Ormandy.Needless to say, neither Town Hall nor Philadelphians had ever seen an African American soloist before. By 1946, however, Walker had Read more ...