Reviews
Heather Neill
It is a truism that every Hamlet is different, depending more than any other play on the casting of the lead. Each production moulds itself around the personality of the actor playing the prince. In Cush Jumbo, working here with Greg Hersov, who successfully directed her in As You Like It and A Doll's House at the Royal Exchange, Manchester, we have an accomplished actor of wit and intelligence, relishing Shakespeare's language and expressing the complex emotions and intellectual challenges of Hamlet, sometimes street-cool, sometimes febrile, always modern.A woman in the role is nothing new Read more ...
Katie Colombus
Patti Smith has been making rabble rousing punk rock for half a century. She’s spent a lifetime on the road with rock stars and poets, surfing the charts, bringing music and wisdom to the people in myriad ways from beatnik to mainstream and now here she is at London’s Royal Albert Hall – a gig she says her agent has been trying to land for years.Grabbing hold of the audience from the get-go with the spoken word “Piss Factory” which ends with those prescient lines “I'm gonna be somebody, I'm gonna get on that train, go to New York City… I'm gonna be a big star and I will never return, Never Read more ...
Frederic Wake-Walker
2016Dear Diary, I’ve just had a meeting with Glyndebourne about directing a new production of Fidelio. I realise it’s one of the hardest operas in the repertoire to direct but I’m so swept up in Beethoven’s vision, the power of the music and the character of Leonore that I said yes…(Beethoven himself said: “Was schwer ist, ist auch schön” [“What is difficult is also beautiful”])2017Dear Diary, I’ve decided to cut all the spoken dialogue for Fidelio. It’s so clunky and there are so many holes in the backstory. But I don’t know yet what to replace it with!The only prison I’ve been to is the one Read more ...
Sarah Kent
Last year a stoneware jar by David Drake sold at auction for $1.3 million. It fetched this extraordinary price because of its history: Drake was a slave on a plantation in South Carolina who not only made fabulous pots, but dared sign and date them at a time when it was illegal for slaves to read and write. Needless to say, his descendants haven’t received a penny in royalties from sales of his work.Theaster Gates includes one of Drake’s storage jars in his Whitechapel Gallery exhibition A Clay Sermon; on it is written “Jan 13 1862. I am Dave” – evidence of Drake’s defiance as well as Read more ...
Gary Naylor
Few sights speak so eloquently of loss, of an especially cruel and painful loss, as one glass of wine, half-full, alone on a table. A man speaks to a partner who isn’t there, wishes her back, but knows that she has gone. Then another woman materialises to speak of of the futures he could have enjoyed - but now will not - and of the many, many futures that hunger for life, shut out of our world by deliberate action and unintentional chance. They crowd him, but only a child, bouncing with optimism, emerges fully to insist that he, this potential human being, will happen.Into her 80s but as Read more ...
Jon Turney
Suppose I’m a novelist plotting a panoramic narrative through world-shaping moments of the first half of the 20th century. I’ll need a character who can visit a bunch of key sites. Göttingen in the 1920s, where the essentials of quantum mechanics were thrashed out. Los Alamos in the 1940s for the fashioning of atom bombs. Königsberg in September 1930, to hear Kurt Gödel announce that Hilbert’s great programme to establish mathematics on a firm foundation is impossible, and he has proved it.Maybe my character could also catch Alan Turing in Princeton where he is correcting the proofs of On Read more ...
CP Hunter
Ever since her appearance on The Great British Bake Off in 2013, Ruby Tandoh has been a breath of fresh air to the food industry. Unafraid to use her voice and stand up not only for herself but for the marginalised communities she is a part of, she writes at the intersection of politics and food and has been unapologetic about calling out elitism in the industry. Her latest book, Cook As You Are, is a brilliant example of her ideologies and principles put into practice. In it, she has built the foundations for a future where cookbooks guide people towards the joy of eating, while being Read more ...
aleks.sierz
Hypocrisy. Is this the right word? I don’t mean the play, but the audience. Of course, in the middle of the current COVID 19 crisis, there’s bound to be a certain amount of discomfort when watching Larry Kramer’s 1985 modern activist classic about the AIDS epidemic, since both cost many thousands of lives, but it feels really odd to me to be in the middle of a National Theatre audience where only half are wearing their masks. So while everyone cheers this story about how selfishness has to be challenged in order to preserve public health, only half are acting unselfishly in keeping us all Read more ...
mark.kidel
40 or so years on from the first wave of London gigs by musicians from West Africa – many of them at the Africa Centre in Covent Garden – London’s connection with the music of Senegal, Mali and the Gambia has taken a new and exciting turn.The Balimaya Project, a 16-piece band which is taking the UK by storm, is led by percussionist Yahael Camara Onono a second-generation Londoner from the African diaspora. As well as creating a contagiously energetic and joyful sound, this is a music with a mission as well as a message.The great Africanist Robert Farris Thompson, author of "The Flash of the Read more ...
Laura de Lisle
Despite its painfully relevant title, How To Survive An Apocalypse was written in 2016. If only Canadian playwright Jordan Hall knew, eh? The end times aren’t just creeping but hurtling towards us, these days. Luckily for those weary of Covid stories, this play is more about millennials sensing impending doom, and how that experience impacts upon their personal relationships, than the doom itself. Jimmy Walters’ production for the charmingly intimate Finborough Theatre sparks intriguing ideas on which it doesn't quite fully follow through.Jen (Kristin Atherton, who really knows how to wear a Read more ...
Guy Oddy
As Sam Curran leant into his microphone for the first time this evening, he announced “If you want any ear plugs, there’s some free on our merch desk”. Most of us were way too cool for that though and stayed where we were. It was a decision that some will have later regretted as we spent the rest of the evening with screaming ear drums.Imperial Wax’s return to live performance for the first time since late 2019 was like coming up against an unexpected howling storm. While the tunes from their debut Gastwerk Saboteurs album are a collection of gritty garage rock, rockabilly and hefty Read more ...
Helen Hawkins
Jasmine Lee-Jones has a hard act to follow – namely, herself. Her award-winning 2019 debut play, seven methods of killing kylie jenner, announced the arrival at the Royal Court of a blistering writing talent whose two sparring women made the room crackle and pop. Still only 22, she has for her second stage piece opted for something rather different, as if to show she has more than just a sharp ear for great dialogue.Curious, which its author performs solo at the Soho Theatre, begins with a striking image: in a full skirted ballgown, she runs on the spot under strobe lighting, so Read more ...