Reviews
Veronica Lee
There's nothing you can't joke about, say all stand-up comics, but Tom Rosenthal has entered new territory with Manhood – a riveting and often raucously funny show about his circumcision. He is here, he says, “to avenge the theft of my foreskin”.Despite the face and the name, he tells us, it wasn't done for religious reasons, as the family have been non-practising Jews for four generations, although he is happily “kosher for cash”, as some acting roles, including in Friday Night Dinner, about a north London Jewish family, come his way at least in part because of the monicker. In his Read more ...
David Nice
Spectacular success couldn't have happened to a more interesting person, or a better writer. The pithy but imaginative prose in the third and final instalment of Hilary Mantel's Thomas Cromwell trilogy, The Mirror & the Light, which as you may just have heard was published this week, flies off the page in readings by Ben Miles, Nathaniel Parker and Lydia Leonard of the RSC's Wolf Hall adaptation and Shiloh Coke (Lady Anne Clifford in Emilia at Shakespeare's Globe). There are commentaries by three men very well acquainted with Mantel's progress - you'd like at least one woman - but the Read more ...
India Lewis
Rebecca Solnit’s autobiography, Recollections of My Non-Existence, is just as you might expect it to be – tangential, changeable, deeply feminist, and imbued with a sense of hope that undercuts her wild anger at the world’s injustices. It says much for how quickly our thinking about women’s rights and those of minorities has evolved recently that her feminist rhetoric almost feels dated at points. However, Solnit’s energy is still fresh, urgent, and vital, reminding the reader that although the battle seems to be on the way to being won by powers of good, we are still far from victory, Read more ...
Marina Vaizey
In common with her literary forebear, Joanna Trollope’s light hand refrains from the introverted angst so common in contemporary novels. Her immensely readable, witty renderings of English middle-class life have entertained and enlightened over almost two dozen novels. She portrays characters on journeys for which they’re missing the map and exposes common dilemmas along the way. Her characters search for answers to situations obscured by habit and solutions to personal problems they hardly recognise. Her underlying optimism is alluring – from recognition may come change.In Mum & Dad Read more ...
Kieron Tyler
Through previous archive releases or bootlegs, deep-digging Cream fans will already be familiar with much of what’s on Goodbye Tour – Live 1968. The legitimate 1969 album Goodbye Cream included three tracks from the 19 October 1968 Los Angeles Forum show, heard here in full. Another trio of tracks on this set, from a 4 October 1968 Oakland show, appeared on the 1972 Live Cream Volume II album. The 26 November 1968 Royal Albert Hall set has done the rounds in various forms. As for bootlegs, all the shows collected on Goodbye Tour have circulated in their complete form.What's new is Goodbye Read more ...
David Nice
"All true spiritual art has always been RADICAL art": thus spake the oracular Georges Lentz, composer of the pitch-black odyssey for electric guitar that took everyone by surprise last night. In that vein, why not add that all the greatest performers always push the boundaries, and that 28-year-old Sean Shibe, though included by the sponsors of this concert among "emerging talent", is already in their select company. This amazing Wigmore concert took us from a first half of fragrant miniatures by David Fennessy and minimal magic from Sofia Gubaidulina elided into radical Bach to the " Read more ...
Adam Sweeting
The 2020 Formula 1 season will commence in Melbourne next weekend... unless the race is cancelled because of the mounting coronavirus panic. Everyone will have to self-isolate and watch Netflix instead, so how fortunate that the ‘flix has delivered this second series of Drive to Survive in the nick of time.The first series last year was impressive, but this one seems to have taken a quantum leap upwards. Across the 10 episodes, it picks and probes at all the salient issues of F1, exploiting an amazing degree of backstage access and brilliant high-def action photography to reach back and forth Read more ...
Sarah Kent
Paradise, according to German artist Thomas Struth, is to be found in the tropical rain forests of Yunnan Province, China. His gorgeous photograph Paradise 11 is the first thing I saw on entering the Hayward Gallery and, immediately it had a soothing effect on my frazzled urban psyche. Then I spotted the cable car dangling above the tree canopy – a sure sign that the remote wilderness of Xishuangbanna is no longer unspoiled; Paradise has been trampled on. Next I discovered that these magical forests are being uprooted to make way for rubber plantations.Since this is an exhibition review Read more ...
Jill Chuah Masters
Welcome to New Mushroomton: a fantasy land that’s forgotten itself. This is how we’re introduced to Pixar’s Onward, which is set in a Dungeons & Dragons daydream of suburbia. Director Dan Scanlon’s film is a tribute to his late father, but it begins with a separate elegy. “Long ago,” we’re told, “the world was full of wonder.” Until the day that convenience killed magic — electricity was invented, spells cast aside. Today’s mythical creatures have become ordinary: trolls run tollbooths, gnomes are garden-variety.Such is life for Onward’s heroes, the elven Lightfoot family. There’s meek Read more ...
Lisa-Marie Ferla
Critical and commercial success haven’t gone to the head of Lewis Capaldi. The 23-year-old opened his first of two sold-out nights at Glasgow’s 14,000-capacity enormodrome – booked when he was yet to release his debut album – with a video montage poking fun of his po-faced reaction to Billie Eilish beating him to Song of the Year at the Grammys in January.Coming mere weeks after his double win at the Brit Awards, the show had the feel of a triumphant homecoming – albeit one in for which the vanquishing hero was constantly rewarding the crowd with profanity-laden gratitude. Almost exactly Read more ...
David Nice
Fast is fine in Beethoven, so long as you find breathing-spaces, expressive lines and crisp articulation within it. The Scottish Chamber Orchestra's febrile new chief conductor, Maxim Emelyanychev, started the "Pastoral" Symphony last night with a brisk but detailed walk which was interesting in itself, especially given the level of commitment from the players, but a breathless rapidity saw diminishing returns even in a symphony which ought to be able to take it, the Seventh. There's clearly an excitement about what's going on in the new partnership, but is it enough?It should have been a joy Read more ...
Veronica Lee
John Shuttleworth walks gingerly on stage and stands with his back to the audience. As he points out, the tour – his first in three years – is called John Shuttleworth's Back, and he's contractually obliged to show the audience his reverse side. That is just the first of many exquisitely pedantic reflections from the nerdy Sheffield comic/musician, a character created by Graham Fellows (also the creator of Jilted John and his hit of the same name in 1978).The show is about Shuttleworth's bad back and his first song tells us all about it: “I pray it's just lumbago/ If it's a slipped disc/ I Read more ...