Picture an antiquarian book dealer. Typically, it’s all Harris Tweed, horn-rimmed specs, and a slight disdain for actual customers. At the beginning of D.W. Young’s new documentary we are guided around New York’s rare book dealerships, and witness how, in the age of the internet, this rare breed may be going the way of the Gutenberg press.Whilst the impact of Amazon (specifically the Kindle) as well as Barnes & Noble are mentioned, the heart of Young’s work focuses on the dozen or so booksellers who are trying against the odds to make a living trading in leather-bound books and literary Read more ...
Reviews
Miranda Heggie
Last Tuesday’s offering from the Wigmore Hall’s series of live broadcasts was a fiery recital from Russian violinist Alina Ibragimova partnered by pianist Kristian Bezuidenhout. Beginning with Schubert’s Violin Sonata "Sonatina" in A minor, Bezuidenhout’s opening bars had a restrained urgency, giving just a hint at the passionate flourish Ibragimova was to provide as she entered. Dialogue between violinist and pianist was intense, as they moved very much as one unit through the movement towards a rounded end.The second, Andante movement opened with a serene poise with some Read more ...
Adam Sweeting
Rather like David Suchet’s Poirot, the world will always think of Raymond Burr as the doughty defence lawyer Perry Mason, whom he played in nine TV series and 26 TV movies between 1957 and 1993. But Burr’s Mason existed before the age of the prequel, which now brings us HBO’s impressively-mounted back story of the battling attorney (showing on Sky Atlantic).The original Perry Mason novels by Erle Stanley Gardner told readers next to nothing about Mason’s history and background, so creators Ron Fitzgerald and Rolin Jones had a huge canvas to splash about on when they devised their new show. Read more ...
Florence Hallett
The note of longing scored into this exhibition’s title is well-judged: as things are now, it is the sight of the elderly in the company of friends, watching the world go by from a doorstep or park bench, that provokes a pang of nostalgia, far more than the surface details of the mid-20th century, when these pictures were taken.Produced in response to the virus, this selection of 20 photographs by Shirley Baker (1932-2014), focuses on her depictions of the elderly, who blossom under her gently satirical gaze. The online exhibition includes examples of Baker’s colour work as well as her Read more ...
Joseph Walsh
Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. Over the course of seven years, and apparently 200 drafts of the first episode alone, Catton has eloquently distilled her 848-page novel The Luminaries into six 60-minute episodes for the BBC. In the process, she’s stripped away the novel’s structure and a lot of its detail to create something more appropriate for a visual medium. The result is spectacular, but very different from the original Read more ...
Boyd Tonkin
The Greek philosopher Zeno’s paradoxes, which have plagued thinkers for around 2500 years, tell us that super-speedy Achilles can never outrun the tortoise and that an arrow in flight must always occupy a fixed position at intervals of time – and so can never hit its target. My introduction to these favourite brain-tanglers came when, as an easily overawed teenager, I went to see Tom Stoppard’s play Jumpers and learned that, thanks to that arrested arrow, “Saint Sebastian died of fright”. Stoppard doesn’t take a bow in Joseph Mazur’s far-reaching and idea-crammed tour of the meanings we Read more ...
Kieron Tyler
Orange Crate Art makes most sense in the context of Van Dyke Parks’s solo career rather than that of Brian Wilson’s. For the former it was preceded by Tokyo Rose, an orchestrated set tackling the intersections of American-Japanese cultural and socio-political relations. All the way back to his debut album, 1967’s Song Cycle, Parks has created albums with American signifiers as their pegs. With Orange Crate Art, the theme is symbols evoking mythic California. The punning title is literal: an inspiration is the graphics on crates of California-grown orangesBefore Song Cycle, when Parks and Read more ...
Graham Fuller
Jeanne d’Arc was 19, she believed, when she was tried for heresy by her English enemies in Rouen in 1431. Of the actors who have played her onscreen – Falconetti, Ingrid Bergman, Jean Seberg, Leelee Sobieski, Milla Jovovich among them – none has evinced more wolf-cub-like fierceness or childlike purity of purpose than does Lise Leplat Prudhomme. That’s because Prudhomme was 10 when she portrayed Jeanne from age 17 onwards in Joan of Arc, Bruno Dumont’s sequel to his 2017 Jeannette: The Childhood of Joan of Arc.Prudhomme appeared in the first half of Jeannette as the little girl shepherdess Read more ...
Boyd Tonkin
Loneliness haunts the solo song – not simply all those solitary wanderers and defiant wayfarers of the Lied tradition, but the forsaken lovers and questing pilgrims who fill the folk-song repertoire of many lands. So, amid the general poignancy of the Wigmore Hall’s lockdown concerts for Radio 3, the vocal performances have carried a special frisson. Warmly communicative voices have projected their anguish over, or resignation to, solitude into ranks of seats empty save for one or two engineers and announcers. This week, both soprano Ailish Tynan (accompanied by pianist Iain Burnside, on Read more ...
Laura de Lisle
A British-Jamaican man is confused. It's the Second World War, and he signed up for the RAF on the understanding that he would serve as a pilot overseas. But instead he's ended up as ground crew in a grey Lincolnshire village. "You are overseas, aren't you?" sneers his sergeant. That question – of how great the distance between Jamaica and Britain was and is – lies at the heart of Small Island, Rufus Norris's epic, big-hearted production of Andrea Levy's 2004 ode to the Windrush generation, adapted for the stage by Helen Edmundson. It's also one of the reasons that the National Theatre Read more ...
Marina Vaizey
Tut in colour, and he is! The new painstaking technique of colourising vintage black and white photographs and film was touchingly exploited in this documentary for BBC Four to narrate the most thrilling and best-known archaeological discovery ever made, that of the tomb of the boy king Tutankhamun in Egypt’s Valley of the Kings in 1922.The news went worldwide, a 5,000-year-old burial bringing some sunshine to a world traumatised by World War One and the Spanish flu. The newly-coloured images made the narrative of this awesome discovery feel stunningly immediate. The charming Oxford Read more ...
Demetrios Matheou
Frenchman Olivier Assayas is a writer/director who can produce small-scale, cerebral dramas (Personal Shopper, Clouds of Sil Maria) and muscular genre pieces, such as five-hour true-crime epic Carlos. Wasp Network falls into the latter camp, though given its spectacular, real-life material, it’s a disappointingly unengaging political thriller. The story concerns The Cuban Five, a pro-Castro spy ring based in Miami in the 1990s and charged with infiltrating Cuban-American organisations responsible for terrorist attacks on the island. Carlos star Édgar Ramírez Read more ...