Reviews
Jasper Rees
In the 1970s, the Mancunian stand-up Colin Crompton had a famous routine about Morecambe. He characterised Morecambe as “a sort of cemetery with lights” where “they don't bury their dead, they stand them up in bus shelters with a bingo ticket in their hand”.You can tell it’s Morecambe that stars in The Bay (ITV) because there was a fleeting glimpse of its most famous son, who named himself after the place and is memorialised in a dancing statue on the front. In other respects it seems to have changed its spots. There are barely any retirees, and it’s all gone lively. In the opening scenes Read more ...
Matt Wolf
David Hare knows a thing or two about sustaining an onstage face-off. Skylight and The Breath of Life consist tantalisingly of little else and so, for the most part, does his 1986 curiosity The Bay at Nice, which I caught back in the day during a premiere engagement at the Cottesloe that was given immediate lustre by the ravishing Irene Worth. Its first major London revival, elegantly presented by Richard Eyre at the Menier Chocolate Factory, casts the comparatively cool Penelope Wilton as a Russian one-time student of Matisse who confronts her unhappy daughter (Ophelia Lovibond) in 1956 Read more ...
Gavin Dixon
William Christie kicked off Passion season in London this year with a particularly sombre reading of the St John. The veteran conductor brought his French choir and orchestra, Les Arts Florissants, and a line-up of relatively young soloists to the Barbican. They turned out to be variable, but the best of the voices elevated proceedings, as did Christie’s sensitive shaping of the music, the results always lyrical and engaging.At the risk of labouring tired stereotypes, the performance here sounded more French than German. The orchestral tone was less distinct, quieter and lacking focussed in Read more ...
Adam Sweeting
Thing is, a lot of this unpleasantness could have been avoided if DI Jimmy Perez had just watched the second series of The Missing. From this he could have deduced that there was every chance that Derek Riddell (who plays Chris Brooks in Shetland (BBC One), and was sinister kidnapper Adam Gettrick in The Missing) was a thoroughly bad egg, and cut to the chase a good deal sooner than he eventually did.However, Perez’s sleuthing instincts had been severely blunted by his growing entanglement with Brooks’s wife Alice (Catherine Walker), and as a couple they seemed potentially to have quite a lot Read more ...
Laura de Lisle
It's an ideal time to revive James Phillips's debut The Rubenstein Kiss. Since it won the John Whiting Award for new writing in 2005 its story, of ideological differences tearing a family apart, has only become more relevant. Joe Harmston directs a slick production at the Southwark Playhouse, which never quite manages to coalesce into something great.It's based on the lives of Ethel and Julius Rosenberg, the first US civilians to be executed for espionage after they allegedly passed information about the atomic bomb to the Soviet Union during the Second World War. The title refers to a real Read more ...
Boyd Tonkin
Standing next to the warm brown beast of a piano built by Blüthner in Leipzig in 1867, Sir András Schiff advised his audience last night to clear their minds and ears of preconceptions. He told us that his rendering of Brahms’s first piano concerto – tonight, he will return to play the second – “should be like a first performance”. In reality, he added, that premiere (in 1859) turned out to be “a colossal failure”. In contrast, his own version – antique instrument and all – scored a triumph that pulled much of the Royal Festival Hall crowd to their feet.However, this “historically informed” Read more ...
Marina Vaizey
The Magnum photographer Martin Parr has spent decades observing contemporary human activity world-wide as – perhaps – a mesmerised observer, an anthropologist, a tourist, addicted to the vagaries of the human condition. This anthology at the National Portrait Gallery is dominated by what is called "Britishness", even when it is race goers in Durban. And the shadow over whatever "Britishness" may be – from the City Establishment, to a drunk young man all dressed up in black tie passed out at a May Ball, to men mending lobster pots in Cornwall – is of course Brexit (Main picture: Lobster Pots). Read more ...
Rachel Halliburton
Richard II has become the drama of our times, as it walks us through the impotent convulsions of a weak and vain leader brought down by in-fighting among his men. While the Almeida’s recent production starred Simon Russell Beale as a solipsistic child, utterly unable to distinguish self-pitying fantasy from reality, the Globe’s mixed-race all-female production is a more – well – virile vision of a narcissist raging against the dying of the light.Adjoa Andoh – who stars as Richard as well as co-directing with Lynette Linton – is an electric stage-presence with her hawk-like glare, vigorous Read more ...
Sarah Kent
In The Thread Russell Maliphant attempts what, at first sight, appears a foolhardy project – the juxtaposition of contemporary and traditional Greek dance. The two genres seem poles apart, the one being collective and in unison, the other more individualistic and expressive. But by slowing the pace and emphasising the similarities, Maliphant has created an unlikely dialogue that enriches them both. The piece is episodic, unfolding as a series of vignettes in which folk dances alternate with contemporary sequences. The result is mesmerising. Gliding serenely round the stage in long lines Read more ...
Liz Thomson
Record Store Day is now a fixture on the calendar, a key element in “the vinyl revival”, and this year – 13 April – it’s possible to buy a special Rega Planar Plus 1 Turntable, one of a limited edition of 500 costing £299. A novelty to many – but not to those of us who still have proper hi-fi systems which in my case includes not only a turntable and CD player but also cassette player and recorder and its mini-disc equivalent. It seemed like a good idea at the time – I planned to transfer all my bootleg cassettes. It was my third “proper” system and its selection was the result of many hours Read more ...
Kieron Tyler
The US music trade weekly Cashbox chose a picture of the then-hot Diana Ross & the Supremes and Temptations joint enterprise for the cover of its 14 December 1968 issue. On page 28, under the header “Best Bets”, a review of the “It’s the Loving Season” single by The Vareeations (pictured above) said “Standout female lead makes an especially fine showing on this blues-pop ballad side. Single is bound to attract attention and could prove a solid seller.”Despite the thumbs-up, the 45 did not attract much more attention outside The Vareeations’ Philadelphia home base. Nonetheless, “It’s the Read more ...
Boyd Tonkin
Vary the stale format of the vocal recital and all sorts of new doors open for performers and listeners alike. The only downside, as became clear at the Wigmore Hall last night, is that the audience may hear less of a stellar soloist than they ideally wish. In the latest episode of her residency there, Dame Sarah Connolly melded words spoken and sung into an event that orbited around the twin suns of music and literature. The actor Emily Berrington read – above all, from the diaries and letters of Virginia Woolf – while Connolly sang, and that supremely versatile accompanist Julius Drake Read more ...