tue 24/06/2025

America

Death Cab for Cutie, O2 Academy Brixton

Death Cab for Cutie: unexpectedly rocking

It’s not so much cultural differences that have hindered Death Cab for Cutie’s UK profile, it’s more the difficulty of making a name when “there just couldn’t be less scandal surrounding the band”. Or so guitarist Chris Walla feels. In the States...

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Road Show, Menier Chocolate Factory

Brotherly love, or not: David Bedella and Michael Jibson play the Mizners, Wilson and Addison, in Stephen Sondheim's latest

"Onward we go," the hearty but essentially hapless Wilson Mizner (David Bedella) remarks well into Road Show, the Stephen Sondheim/John Weidman musical that has been slow-aborning, and then some, since it first appeared in workshop form in New York...

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Falling Skies, FX

The cast of 'Falling Skies' apparently lost in the Hammersmith tube station underpass

It’s ironic that we TV critics were only allowed one viewing of this new sci-fi series before having to pass judgment, because even those only casually acquainted with the genre will feel they’ve seen the like of this part-Spielberg-conceived space...

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Lil B's I'm Gay (I'm Happy): a rap revolution?

It's not often you can call pop music revolutionary, but this record is - in more ways than one. Bringing together techniques of engagement that have been honed by Radiohead, Lady Gaga, Lil Wayne and... um... Justin Bieber, the 21-year-old Berkley,...

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The Conspirator

Some directors are just grateful that their movies get funded and released, but Robert Redford has loftier aspirations. Scornful of the routine popcorn-spattered multiplex-filler, he thinks we should be prodded to improve our lot by learning the...

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The Secret Sisters, Pleasance, Edinburgh

Laura and Lydia Rogers: 'Harking back to a simpler, more innocent age'

Emmylou Harris once described to me the sibling harmonies of the Louvin Brothers as sounding like they were “washed in the blood”. The voices of Laura and Lydia Rogers, two twentysomething sisters from Muscle Shoals, Alabama, have that same haunting...

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Colin Currie, Pierre-Laurent Aimard, CBSO, BCMG, Oliver Knussen, Aldeburgh Festival

Yesterday afternoon's final concert at the Aldeburgh Festival saw an astonishing world premiere. A major new double concerto from a 102-year-old Elliott Carter. Imagine Schubert premiering a song cycle in 1900, or Van Gogh unveiling a self...

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CD: Gillian Welch - The Harrow and the Harvest

It has been eight years since Gillian Welch last released an album and her loyal fans – not to mention critics - have been waiting with bated breath. Will she have spent the years honing the delicious Americana and Appalachian-influenced folk that...

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theartsdesk in New Orleans: How the City Got its Groove Back

New Orleans, that most musical city, is back, back, back, everyone told me. The tourist board said that visitor numbers are over eight million again, back to levels before “The Storm” as they refer to the devastation of Hurricane Katrina here. The...

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Two Boys, English National Opera

Nico Muhly had one humble aim for his first opera. He wanted to create an episode of Prime Suspect, he told me last week. "A grand opera that functions as a good night's entertainment." There's no doubt he's achieved that. Two Boys, receiving its...

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Shameless US, More4

This Bud's for you: William H Macy as Chicago's own Frank Gallagher

The Americans have form when it comes to creating superior remakes of British TV shows. Life on Mars with Michael Imperioli? You gotta love it. The Office without Ricky Gervais? We are eternally in their debt. Now they've taken Paul Abbott's...

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Fever: Little Willie John and the Birth of Soul

Soul man Little Willie John died early but, as a new biography argues, his influence lives on

Because Little Willie John died a lonely death in a Washington state prison cell in 1968, much of the baby boom generation grew up only half-knowing who he was. You’d occasionally hear that effervescent but distant voice on the radio, buried by...

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