Reissue CDs
Kieron Tyler
As either a producer or songwriter Gary Usher worked with The Beach Boys and The Byrds, the two most consequential California bands of the Sixties.When he co-wrote “409” with Brian Wilson for the Beach Boys’s first Capitol Records single in mid 1962, he teamed the hot-rod fad with surfing in popular culture for the first time. By his own reckoning, Usher wrote and recorded more than 50 car songs in one month in 1963.Any of this would make Gary Usher a significant figure in pop music. But, of course, there’s a lot more. Much more. Getting to grips with his world means that bands or studio Read more ...
Kieron Tyler
A compilation album titled Pennsylvania Unknowns was issued in 1982. Its 17 tracks chronicled the US state’s Sixties garage rock and psychedelic scenes. Amongst the bands included were Pat Farrell & The Believers, The Flowerz, The Loose Enz and The Shandells. About the best known were Allentown’s The Kings Ransom, whose moody 1968 single “Shadows of Dawn” was a collector’s staple.Pennsylvania, though, is better known musically due to what came a little later from its capital city Philadelphia: the soul music of the Philly Sound. Before, in the Sixties, few bands from the state broke Read more ...
Kieron Tyler
Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons. Wordless backing vocals and pulsing but gentle strings add atmosphere. Milton Nascimento comes to mind but the intimate lead voice also feels French, a little bit Julien Clerc. It’s instantly impactful.Despite what it evokes “Matar Al Sabah” opens an album issued in 1978 by Ferkat Al Ard, a band fronted by Lebanese singer Issam Hajali (full name Issam al-Hajj Ali). Hajali had spent time in Paris in 1976 and 1977, and Oghneya was recorded Beirut in 1977. The album was first Read more ...
Kieron Tyler
In 1965, Bob Crewe was living alongside Central Park in New York’s Dakota building. At various times, the block’s other residents included Lauren Bacall, Judy Garland, John Lennon and Yoko Ono. For work, Crewe’s 6th-floor offices on West 60th Street were in a complex overlooking Columbia Circle and South Central Park. Atlantic Records was also based there, as was Roulette Records. He was flying high.At this time, Crewe’s highest-profile bread-and-butter association was with The Four Seasons, whose popularity was never undercut by the arrival in America of The Beatles and what came in their Read more ...
Kieron Tyler
“The case is quite simple. We think that the policy which is being pursued by the western powers is one which is almost bound to end in the extermination of the human race. Some of us think that might be rather a pity.”This extract from a 1958 interview with Bertrand Russell opens Ban The Bomb - Music Of The Aldermaston Anti-Nuclear Marches, a two-CD set collecting music and interview snippets associated with the early days of CND and the related anti-nuclear protest. Next up in the tracklist is Ewan MacColl & Peggy Seeger’s “March With us Today” which exhorts listeners to come to Read more ...
Kieron Tyler
In 1966, the combo fronted by French sax player Barney Wilen issued an album of musical interpretations of each sign of the zodiac. In the US in 1969, Mort Garson released 12 albums, each dedicated to a single sign. Two years earlier Garson was behind the one-sign-per-track Cosmic Sounds album, credited to The Zodiac. Back in 1945, bop pianist Mary Lou Williams made an album – over six 10-inch discs – titled Signs Of The Zodiac.Taking inspiration from the signs of the zodiac wasn’t unusual. But Wilen’s album approached what could have been cheesy from a perspective acknowledging that this was Read more ...
Kieron Tyler
Beverley’s was an ice-cream shop and restaurant on Orange Street in Kingston, Jamaica. Records were on sale too. In 1961, an aspiring singer-songwriter named James Chambers turned up there with a song he’d written called “Dearest Beverley.” If it was recorded, it’d give its creator a leg-up on the music scene and also might be good promotion for the business.One of the ice-cream concern’s owners agreed. James Chambers became Jimmy Cliff and with Leslie Kong, who turned his attention the business of music rather than ice cream, founded the Beverley’s label. Over 1961 to 1971 – the label ceased Read more ...
Kieron Tyler
By 1970, John Barry had composed music for Born Free, The Lion in Winter, Midnight Cowboy, You Only Live Twice and about 38 other films. His work with cinema began in 1960 and averaged around five films a year. In 1965, eight films were released with his music. He was busy.Yet when the album Ready When You Are, J.B. appeared in 1970, its liner notes said “he’s invisible most of the time.” Although he had recently appeared briefly in the film Deadfall, Barry was principally a backroom presence; his name less prominent than those of the songs or films he contributed to. Earlier, he’d hit the Read more ...
Kieron Tyler
“Touched by Rodin in a Paris Museum” is a 14-minute consideration of exactly what its title says: the impact of encountering Auguste Rodin’s work in person. The composition features piano only. There are nods to Debussy and Ravel. The playing is measured and minimal yet still full-bodied. At odd points, there are seconds of complete silence.Taped in 1970, this recording was meant to feature on an album which was never issued. It would have been the third by Patty Waters, following-up her ESP-Disk LPs Sings (1965) and College Tour (1966). After these, Waters seemed to have vanished. Actually, Read more ...
Kieron Tyler
“Ramonic buzzsaw impressionism guitars lovingly poured like a truckload of Quaker Oats over the indecipherable lyrical content that sounds like a rancid moggie that has snorted too much Pro-Plus.”So that was a possible thumbs-up from NME’s Tony Parsons in his review of 999’s August 1977 debut single “I’m Alive.”In October, the same music weekly’s Bob Edmands pondered their second single, “Nasty Nasty.” “The words and riff hurtle past at a preposterous speed, so fast that all concerned seem to have lost control. That should be impressive, in a crazed perverse sort of way, but it isn’t.”999’s Read more ...
Kieron Tyler
Over January, February and early March 1975, British music fans could buy tickets for what was titled The Naughty Rhythms Tour. Three bands were billed, with the running order changing each evening. The tour was the idea of Andrew Jakeman, who worked for one of the bands, and Chris Fenwick, the manager of another: on their own, each band couldn’t fill larger venues. Together, more tickets would be sold and fans would be picked up.Jakeman was working for Chilli Willi and the Red Hot Peppers, one of the three bands. Fenwick managed another: Dr. Feelgood. The third outfit on the tour was Kokomo Read more ...
Kieron Tyler
First on were The Supremes with “Baby Love.” Next, The Miracles performed “You Really Got a Hold on me.” After this, Stevie Wonder’s “I Call it Pretty Music But the Old People Call it the Blues,” The Temptations’ “The Way You do the Things You do” and Martha & The Vandellas’ “Heatwave.”The opening section of the Ready Steady Go! episode broadcast on 28 April 1965 was hot – really hot. The show was titled The Sound of Motown and its guest host was Dusty Springfield. She sang a song solo, and one with Martha Reeves.Those involved with the show knew Springfield was a high-profile ambassador Read more ...