England
The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin Greig honours Terence RattiganSaturday, 17 May 2025
The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as an English classic. Lindsay Posner's production, first seen in Bath with one major change of cast since then,... Read more... |
Code of Silence, ITVX review - inventively presented reality of deaf people's experienceWednesday, 21 May 2025
In the guided tour of Britain’s cathedral cities that is the primetime TV detective series, the spotlight has now landed on Canterbury. Code of Silence frequently inserts a dramatic aerial shot of the city, its streets radiating out from the... Read more... |
Giant, Harold Pinter Theatre review - incendiary Roald Dahl drama with topical biteFriday, 09 May 2025
When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here, another terrible moment in human history that resonates all through Giant. Since the play opened at the Royal... Read more... |
All the Happy Things, Soho Theatre review - deep feelings, but little dramaWednesday, 16 April 2025
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s Paradise Lost seems apt when thinking about the prevalence of mental health issues in current new writing for... Read more... |
Restless review - curse of the noisy neighboursFriday, 04 April 2025
Horror comes in many forms. In writer-director Jed Hart’s feature debut Restless, it’s visited on middle-aged nurse Nicky (Lyndsey Marshal) by thirtyish Deano (Aston McAuley), the superficially affable toxic male who moves in next door with two... Read more... |
Album: Bryan Ferry and Amelia Barratt - Loose TalkSunday, 30 March 2025
On the spoken word LP Loose Talk, Amelia Barratt reflects on her or other women’s experiences, real or imagined, over tunes drawn from Bryan Ferry’s demos, some from early in his career. To hear his instantly recognisable sound applied to a female... Read more... |
Alfred Hitchcock Presents: The Musical, Theatre Royal Bath review - not a screaming successSaturday, 29 March 2025
In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands and spawned the influential Giallo movies of the Sixties and Seventies, gory exercises in an offbeat, highly stylised... Read more... |
Wilko: Love and Death and Rock'n'Roll, Southwark Playhouse review - charismatic reincarnation of a rock legendFriday, 28 March 2025
Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and upcoming Bruce Springsteen films, theatreland has staged Tina, A Night with Janis Joplin and MJ, and the Kinks musical... Read more... |
Blu-ray: LifeforceTuesday, 25 March 2025
Tobe Hooper changed cinema with The Texas Chain Saw Massacre (1974) for pennies in rancid Southern heat, but came closest to a mainstream Hollywood career a decade later, following the hit Spielberg collaboration Poltergeist (1982) with his biggest... Read more... |
Album: Steven Wilson - The OverviewThursday, 13 March 2025
Steven Wilson’s cinematic concept album The Overview is named for the cognitive shift required of astronauts and others who’ve observed Earth from space and been humbled by both its beauty and its – and their – inconsequentiality. Wilson’s grappling... Read more... |
Edward II, RSC, Swan Theatre, Stratford review - monarchs, murder and mayhem from MarloweMonday, 10 March 2025
“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang. Tamara Harvey took no heed and Edward II sees her RSC compadre, Daniel Evans (pictured below, kneeling centre), back on stage after 14 years and... Read more... |
Towards Zero, BBC One review - more entertaining parlour game than crime thrillerWednesday, 05 March 2025
The BBC’s latest “cool” Agatha Christie adaptation has many hallmarks of the decidedly dark ones that were considered prestige Christmas treats until recently. But although it’s lovely to look at, it’s low on chills and thrills.The 1944 Agatha... Read more... |
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