Bristol
Patrick Duff, The Mount Without, Bristol review - sacred music for the soulMonday, 17 February 2025
There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in Bristol, at the bottom of St Michael’s Hill, the winding road that climbs up to what used to be the favoured place of execution, where the city’s... Read more... |
Wallace & Gromit: Vengeance Most Fowl review - an old foe returnsWednesday, 18 December 2024
It’s difficult to believe that the last stop-motion Wallace and Gromit short graced our screens way back in 2008. Describing the pair’s new outing as a return to form is unnecessary: this duo never lost it in the first place.Wallace & Gromit:... Read more... |
The Marrriage of Figaro, Opera Project, Tobacco Factory, Bristol review - small is beautiful indeedMonday, 07 October 2024
The Marriage of Figaro is undoubtedly one of the greatest operas ever written. Mozart’s masterpiece is a display of musical perfection that never ceases to touch the heart and stimulate the musical mind.This gripping and enormously entertaining tale... Read more... |
Elvis Costello and Steve Nieve, Bristol Beacon review - so much more than a retread of the master's hitsMonday, 23 September 2024
Apart from being one of Britain’s greatest songsmiths of the past 50 years, Elvis Costello – from the early adoption of the rock’n’roll King’s first name – has produced a form of naked self-expression, blurred by intricately-tailored pretence.... Read more... |
Album: 137 - Strangeness OscillationsThursday, 25 July 2024
Something of a jazz supergroup this one: with drum virtuoso, the ubiquitous Seb Rochford, Jim Bar of Get the Blessing, Adrian Utley – formerly of Portishead, a prolific collaborator and producer, but with a heart rooted in jazz, and sax and flute-... Read more... |
Dreaming and Drowning, Bush Theatre - dense and intense monologue about Black queer identityTuesday, 05 December 2023
Kwame Owusu’s 55-minute one-hander does just what it says on the tin: it features a young student who dreams he is drowning. But its brevity is no bar to its being a dense and intense experience, worthy winner of last year’s Mustapha Matura Award.... Read more... |
Album: Billy Nomates - CactiSaturday, 14 January 2023
As second-wave feminism vouched in the late 1960s, the personal is political. For Billy Nomates, the moniker of Sleaford Mods-approved musician Tor Maries, that sentiment is rife.Entrenched in her eponymously titled debut in 2020, the songwriter... Read more... |
Dr Semmelweis, Bristol Old Vic review - dazzling but overloadedFriday, 28 January 2022
Dr Semmelweis, a star vehicle for Mark Rylance, one of Britain’s most versatile and talented actors, fills the Bristol Old Vic with a dizzying kaleidoscope of words, sounds and images. Tom Morris – the theatre’s energetic and inventive director –... Read more... |
Showtrial, BBC One review - drama a cut above the restMonday, 15 November 2021
This latest offering from the ubiquitous World Productions (creators of Line of Duty, the farcical but strangely popular Vigil, Bodyguard etc etc) is a whodunnit, a howdunnit and a whydunnit, as it explores the mysterious disappearance and death of... Read more... |
Album: Idles - CrawlerWednesday, 10 November 2021
Perhaps surprisingly for a band famed for the raw, tightly wrought, balled-up fury of their music, the most affecting moments of Idles’ fourth album are slower numbers. Chief among these is “Progress”, whose looping, repeated lyrics may reflect... Read more... |
A House Through Time, Series Finale, BBC Two review - timely series reaches uneven conclusionWednesday, 17 June 2020
Setting his third series of A House Through Time in Bristol (BBC One) was a stroke of inspired prescience for historian and presenter David Olusoga. His chosen house, Number 10 Guinea Street, had been built in 1718 by the slave-trafficking Captain... Read more... |
A House Through Time, Series 3, BBC Two review - Bristol under the microscopeWednesday, 27 May 2020
David Olusoga’s A House Through Time concept (BBC Two) has proved a popular hit, using a specific property as a keyhole through which to observe historical and social changes. After previously picking sites in Liverpool and Newcastle, this time he’s... Read more... |
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