Reviews
What the Women Did, Southwark PlayhouseSaturday, 25 January 2014
Barely a month of 2014 has passed, and yet already the opportunities to remember the First World War seem to be presenting themselves at every turn. In this trio of short plays, we get a more unusual treatment of the anniversary – as the... Read more... |
Hansel and Gretel, Royal BalletSaturday, 25 January 2014
"Be careful what you wish for," fairy tales teach us. After I wished in December for more bite in Scottish Ballet’s saccharine Hansel and Gretel, along comes this revival of Liam Scarlett’s 2013 version of the same story for the Royal Ballet.... Read more... |
Classical CDs Weekly: Delius, Hindemith, Holst, Claudia CoronaSaturday, 25 January 2014
Holst: The Hymn of Jesus, Delius: Sea Drift, Cynara Roderick Williams (baritone), Hallé Choir, Hallé Youth Choir, Hallé Orchestra/Sir Mark Elder (Hallé)Surprising musical effects are often achieved with relatively simple means. Holst's Hymn of... Read more... |
Silent Witness, BBC OneSaturday, 25 January 2014
Such is the level of confidence that the Silent Witness producers have in their new ensemble that star turn Emilia Fox barely lifted a scalpel in the latest instalment of the BBC’s long-running crime series. Either that or she needed a night or two... Read more... |
Steve McQueen: Are You Sitting Uncomfortably, BBC TwoSaturday, 25 January 2014
Anyone familiar with Mark Kermode’s reviewing will already have heard his adulation of Steve McQueen’s latest film, 12 Years a Slave. An edition of The Culture Show dedicated to McQueen’s career could, then, have gone a bit weak at the knees in... Read more... |
Williams, BBCPO, Hallé, Mena, Bridgewater Hall, ManchesterSaturday, 25 January 2014
There are occasions when just one band isn’t enough. Hence the rare experience of the Hallé and the BBC Philharmonic joining forces for a performance, in the Strauss’s Voice series celebrating the 150th anniversary of the composer’s birth, of An... Read more... |
King Lear, National TheatreFriday, 24 January 2014
Sam Mendes thinks King Lear is a bigger play than it is. In a new staging he directs at the National Theatre, he wants it to be about a convulsion of nations, a reordering of borders, bombing populations. When Lear arrives to carve his kingdom into... Read more... |
Warpaint, Brighton DomeFriday, 24 January 2014
The best thing about Warpaint is their rhythm section. The all-female LA quartet have received critical plaudits for both their albums, wisely releasing their latest eponymous collection in the dead zone of January, maximizing media attention (why... Read more... |
Stockton's Wing/Frankie Gavin & De Dannan, St Patrick's CathedralFriday, 24 January 2014
Featuring two of the most celebrated bands in traditional Irish music, this mouth-watering double bill as part of the ninth Temple Bar TradFest drew a capacity crowd to St Patrick's Cathedral, Dublin. With incredibly tight tune playing, pinpoint... Read more... |
Grand Theft Auto: San AndreasFriday, 24 January 2014
For lovers of PS2-era games, the conversion of titles like GTA 3 and GTA: Vice City to mobile platforms has delivered a welcome dose of retro-gaming thrills, but for real fans of Rockstar's crime epics, a visit to San Andreas is the one they have... Read more... |
Jack Ryan: Shadow RecruitFriday, 24 January 2014
Assuming you care at all, your favourite incarnation of Tom Clancy's industrious CIA agent Jack Ryan is probably Harrison Ford (Patriot Games, Clear and Present Danger). Before him came Alec Baldwin in The Hunt for Red October, and afterwards there... Read more... |
Rapture, Blister, Burn, Hampstead TheatreFriday, 24 January 2014
Feminism suddenly seems to be all the rage in London theatre. Yesterday, I reviewed Nick Payne’s Blurred Lines, and tonight I saw this show by American provocateur Gina Gionfriddo, whose Becky Shaw was at the Almeida three years ago. This current... Read more... |
