sat 19/07/2025

Reviews

Baarìa

Giuseppe Tornatore is known overwhelmingly for one international hit. There have been sundry other films from him in the 21 years since Cinema Paradiso won the Best Foreign Language Oscar, but none which have sold such a seductive vision of Italian...

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The Hotel Inspector, Five

Cruella di Polizzi resumes her quest to hunt down Britain's surviving Basil Fawltys

I stayed in a frightful hotel in Plymouth once. Decrepit rooms, filthy windows, potentially fatal cuisine, sinister staff… By contrast, that same city’s Astor Hotel looked quite pleasant, though not if you were viewing it through the gimlet eyes of...

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Coppélia, Bolshoi Ballet, Royal Opera House

Coppélia is the name of the doll in the ballet-comedy - not that of the heroine, who is a bad pixie named Swanilda, a girl of youthful capriciousness but a heart of gold. What you hope for when you go to see this usually rather quaint 19th-century...

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Gilberto Gil, Royal Festival Hall

The dreadlocks are gone, the dark suit is gone, the acoustic guitar which was his faithful travelling companion during the four years as Brazilian Minister of Culture, is also gone. Instead, Gilberto Gil skipped on stage with a cool, short, grey...

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Splice

Although it has taken over a decade to come to fruition, Splice still feels like a timely piece of work with its macabre and gruesome take on notions of genetic mutation for commercial gain and the god-like delusions of the scientific community. In...

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The Beauty Queen of Leenane, Young Vic

The Martin McDonagh phenomenon is a curious one. He burst upon the world in 1996, aged 26, born in Camberwell, the son of Irish parents. The quirk of fate that placed him in south east London may or may not have been the making of him. But by pure...

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Lewis, BBCSO, Bělohlávek; Pires, Royal Albert Hall

Two pianists, one indisputably great and the other probably destined to become so, lined up last night to show us why the Proms at its best is a true festival, not just a gaggle of summer concerts. First there was the prince of pearly classicism,...

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The Secret of Sherlock Holmes, Duchess Theatre

How do you construct a compelling play about the greatest of fictional detectives without either mystery or reveal? The cryptic answer, in the form of Jeremy Paul’s 1988 theatrical two-hander The Secret of Sherlock Holmes, is far from elementary....

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Britain by Bike/ Britain Goes Camping, BBC Four

'Britain by Bike': Part social history, part travelogue on two wheels with Clare Balding

Themed seasons are often the invention of programmers who have run out of ideas; they string together loosely related output under a cleverly non-specific season title when any old dross gathering dust in the cupboard is given an airing. So I read...

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The Fairy Jobmother, Channel 4

Hayley Taylor's 'Highway Road to Success': A crash course for winners - or a dead end?

No-nonsense Hayley Taylor is to the terminally unemployed what Jo Frost, aka Supernanny, is to the attention-seeking, tantrum-prone pre-schooler – but without the naughty step. In this reality three-parter she attempts to do what whole governments...

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Laurencia, Mikhailovsky Ballet, London Coliseum

Rape, marauding soldiers, peasants on the warpath and a flash hero - are we at the Bolshoi’s Spartacus once again? No, we’re at the Mikhailovsky Ballet down the road at the Coliseum where a rather more Erroll Flynn-type spectacle is being offered,...

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Spur of the Moment, Royal Court Theatre Upstairs

Girls just wanna have fun: Shannon Tarbet (second from right) in a scorching stage debut

"She's just a kid," or so runs the mantra that weaves its way through Spur of the Moment, the Royal Court premiere from newcomer Anya Reiss, who was "just a kid" - well, 17 - when she wrote the play. How, then, to explain an exceedingly sharp, smart...

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