Reviews
Psappha, Phillips, Hallé St Peter’s, Manchester online review - Turnage world premiereFriday, 30 April 2021
Manchester’s Psappha have been proudly flying the flag of new and radical music right through the year of lockdown, and last night’s livestream, with two-and-a-half world premieres, one of them by Mark-Anthony Turnage, showed they haven’t given up... Read more... |
Comedy podcasts round-up 5: politics, relationships and spooferyThursday, 29 April 2021
Tiny Revolutions With Tiff StevensonThis gem is now in its second series and the back catalogue is worth searching out, as well as the most recent episode with US comedians W. Kamau Bell and Nato Green. It's a collection of conversations... Read more... |
The Artist's Wife review - uninspired portrait of dementia in the HamptonsWednesday, 28 April 2021
“The only child I’ve ever had is you,” the artist’s wife (Lena Olin), spits at the artist, her considerably older husband (Bruce Dern), who retorts, “That was your goddamn choice so don’t blame it on me.”Although the setting – a wintery East Hampton... Read more... |
Viewpoint, ITV review - the perils of the peeping tom policeWednesday, 28 April 2021
Alfred Hitchcock’s 1954 thriller Rear Window has spawned its fair share of copycats, including Disturbia and Brian de Palma’s Femme Fatale. For ITV’s new five-night mystery Viewpoint, screenwriter Ed Whitmore (Silent Witness, Manhunt etc) puts... Read more... |
Booth, Nash Ensemble, Wigmore Hall online review - contemporary music programme lacks diversityWednesday, 28 April 2021
Wigmore Hall does not dish up a great deal of contemporary music, preferring a menu of mainstream chamber music. But this programme by the Nash Ensemble offered a different kind of mainstream: within the world of contemporary music this was a middle... Read more... |
Connolly, Middleton, Leeds Lieder online review - epic voyage on a luxury vesselTuesday, 27 April 2021
Some lockdown-era recital programmes have doled out miserly short measures, as performers gallop through a brief, rushed hour (or less) of music as if afraid to tax the online patience of their disembodied audience. If this final concert in Leeds... Read more... |
Kate Lebo: The Book of Difficult Fruit review - a rich, juicy delightTuesday, 27 April 2021
Two years ago, I became preoccupied with beetroot. I didn’t want to eat it, particularly, or learn new ways to cook this crimson-purple veg. Instead I hunted down stories of the “beet-rave”, as it was once called (from the French la betterave), from... Read more... |
Line of Duty, Series 6, Episode 6, BBC One review - the pace accelerates for AC-12's final countdownMonday, 26 April 2021
As the finishing line begins to materialise through the haze of fear, suspicion and zany acronyms, the pace of this sixth series of Line of Duty (BBC One) has hotted up appreciably. In earlier episodes, there sometimes seemed to be a lack of... Read more... |
Oscars 2021: Sluggish, yes, but some surprises tooMonday, 26 April 2021
“God gave us 12 notes,” said Jon Batiste as he accepted the Best Score Oscar for the animated film Soul. True enough, even if it felt from very early on as if the 93rd Academy Awards might well last 12 hours, the ceremony flickering to life in its... Read more... |
Brian Elias Focus Day, Concert 1, Wigmore Hall online review - portrait of the artist in miniatureMonday, 26 April 2021
What comes to mind when you think of Brian Elias? The violence and humming, background threat of The Judas Tree, his score for Kenneth MacMillan’s brutal final ballet? The outpouring of Electra Mourns, cor anglais a schizophrenic double for the... Read more... |
Black Bear review - unexpected knotty treatMonday, 26 April 2021
We’ve all experienced the “fast food film” – enjoyable while we watch it, but realise afterwards it was an empty thrill with little nutritional value. Much rarer is the film that can only be truly appreciated once the credits roll. Black Bear, with... Read more... |
The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid productionMonday, 26 April 2021
It has been a hard coming for this RSC Winter’s Tale. Erica Whyman’s production was cancelled by the virus days before its premiere last spring, with plans to stage it in the autumn frustrated by the second lockdown. This broadcast version,... Read more... |
