Reviews
LFF 2020: Nomadland review - Francis McDormand gives a career-defining performanceTuesday, 20 October 2020
Chloé Zhao’s The Rider was a film of rare honesty and beauty. Who would have thought she’d be able to top the power of that majestic docudrama? But with Nomadland she has.To call it a loose adaptation of Jessica Bruder’s Nomadland: Surviving America... Read more... |
Roadkill, BBC One review - David Hare pokes under the floorboards of the Conservative partyMonday, 19 October 2020
A lifelong socialist who has regularly written about the Labour party, playwright David Hare admits that in his career he has “rarely looked closely at the appeal of Conservative values”. On the evidence of the first episode of his new political... Read more... |
4/4, Royal Opera review – desire, loss and lunacy in four surprising actsMonday, 19 October 2020
Think you’ve seen enough of monologues and duets over the past few months? Watch this and reel. Four British directors, four conductors with close ties to the Royal Opera and five singers based here, from South African and Spanish-born sopranos on... Read more... |
Ronnie's review – fascinating story of the fabled Soho jazz clubMonday, 19 October 2020
Ronnie Scott was a remarkable man: “Jazz Musician, Club Proprietor, Raconteur and Wit, he was the leader of our generation,” reads the memorial to him at Golders Green Crematorium. Oliver Murray’s documentary film Ronnie’s is an affectionate and... Read more... |
Stephen Kovacevich, Wigmore Hall review - a sublime birthday treatMonday, 19 October 2020
What do you want to do on your 80th birthday? Well, playing two of your favourite pieces of music at the Wigmore Hall is not a bad option. To celebrate his big day, Stephen Kovacevich returned to the scene of many of his triumphs since 1961,... Read more... |
Live From the Grand Hall, BAC review - strong mixed bill to start autumn seasonMonday, 19 October 2020
After a successful – and very welcome - summer season of gigs in its outdoor courtyard, Battersea Arts Centre has come indoors for its autumn season of comedy from the Grand Hall; it started with this strong mixed bill curated by the promoters Berk'... Read more... |
Cooper, Aurora Orchestra, Kings Place review - a heartwarming delightSunday, 18 October 2020
Rarely have I seen so many smiles on stage as at Kings Place on Saturday. The combination of the delight of the performers being back in their natural environment with the genial and generous-spirited music they were playing brought out the best in... Read more... |
Reissue CDs Weekly: La Locura de MachucaSunday, 18 October 2020
La Locura de Machuca translates as “the madness of Machuca.” A Colombian label which issued its first record in 1975, Machuca was active until 1995. Around 26 singles and 36 albums were released. The new compilation brings together 17 tracks from... Read more... |
The Other Lamb review - a surreal portrait of an abusive cultSaturday, 17 October 2020
“Thank you, Shepherd, for allowing us to be your wives. Come down upon me and fill me with yourself.” Collective ecstasy – and a lot of wool – is the order of the day in this cult led by Michael, aka Shepherd (Michiel Huisman; Game of Thrones; The... Read more... |
The Divine Comedy: Live from the Barbican review – thirty years of great songsSaturday, 17 October 2020
If “things” hadn’t intervened, September would have seen the Divine Comedy play a five night residency at the Barbican, playing their entire back catalogue, two albums a night, to mark 30 years since the band was started. Instead we got just one... Read more... |
LFF 2020: Never Gonna Snow Again review - mystic masseur with God-like giftsSaturday, 17 October 2020
The 1986 nuclear accident at Chernobyl was brilliantly explored in last years’s HBO series, but here, prolific Polish director Malgorzata Szumowska finds an alternative purpose for the disaster. As a child Zhenia, the Ukrainian protagonist of Never... Read more... |
Scottish Chamber Orchestra, Queen's Hall, Edinburgh online review – two Parisian gemsFriday, 16 October 2020
Though live performances are, thankfully, starting to reappear throughout the country, and socially distanced seating, mask-donning and constant hand sanitising becomes the norm for audiences south of the border, those in Scotland are still eagerly... Read more... |
