thu 08/05/2025

Reviews

Le nozze di Figaro, The Mozartists, Page, Cadogan Hall review - cogency, intelligence and reverence

Ten years ago, Ian Page launched his and the Mozartists’ (then Classical Opera’s) remarkable endeavour to play music by WA Mozart 250 years after it was written, starting with a programme of material from 1765 by eight-year-old Mozart, and his...

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Isabel LaRosa, Saint Luke's and the Winged Ox, Glasgow review - TikTok pop and a school disco atmosphere

The bar staff at Saint Luke’s will rarely have had an easier night than this one. Such was the youthful nature of the crowd for Isabel LaRosa that there was little for them to do, beyond handing over occasional cans of Coke.The atmosphere felt like...

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Milisuthando review - exorcising apartheid

“The street I grew up in had no name and is in a country that no longer exists,” director Milisuthando Bongela begins her meditation about growing up in Transkei, a semi-fictional black nation which helped facilitate apartheid yet felt like a utopia...

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Vanessa Bell, MK Gallery review - diving into and out of abstraction

The Bloomsbury group’s habit of non-binary bed-hopping has frequently attracted more attention than the artworks they produced. But in their Vanessa Bell retrospective, the MK Gallery has steered blissfully clear of salacious tittle tattle....

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Olga Tokarczuk: The Empusium review - paranoid prose

In his first of a series of meditations on the sickness that was consuming him, John Donne reflected upon the special kind of paranoia that attends the ill individual. Each person is, by virtue of "being a little world", supremely conscious of a...

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Rivals, Disney+ review - adultery, skulduggery and political incorrectness

Delirium has greeted Disney’s eight-part adaptation of Jilly Cooper’s 1988 novel Rivals (part of her Rutshire Chronicles series).Perhaps it’s nostalgia for the previously-unloved Eighties, or maybe it’s because its non-stop conveyor belt of adultery...

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Since Yesterday review - championing a neglected female music scene

Since Yesterday: The Untold Story of Scotland's Girl Bands is one of those films that, perhaps embarrassingly, feels very necessary. An examination of the history of solely all female bands in Scotland since the 1960s, it is a great demonstration of...

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Autumn, Park Theatre review - on stage as in politics, Brexit drama promises much, but loses its way

Theatre is a strange dish. A recipe can be stacked with delicious ingredients, cooked to exacting standards, taste-test beautifully at the halfway mark, yet leave you not quite full, not exactly satisfied, disappointed that it didn’t come out quite...

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The Wild Robot - beasts and bot bond, gradually

Is it mere coincidence or already a new trend? Animated films about the unlikely friendships between robots and animals are thriving. Earlier this year, Pablo Berger's heart-warming retro tale Robot Dreams proved that fur and metal can go...

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Album: Tess Parks - Pomegranate

Tess Parks’ fourth solo album is suffused with otherness. When lyrics are direct, they are destabilised by the etiolated, freeze-dried voice delivering them. “Sometimes it feels like everyone should be dancing, maybe I should be dancing,” she sings...

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Music Reissues Weekly: Rain - Tomorrow Never Comes: The NYC Sessions 1967-1968

The Undertakers were central to the Merseybeat boom. The best of what they issued on single in 1963 and 1964 captured the raw, stomping sound adored by Liverpool’s audiences. But hits were elusive and they dropped off the musical map at the end of...

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Aurora Orchestra, Collon, Drumsheds review - surround-sound magic in the super-club

Every lover of folk-tales knows that the seeker has to endure dangers and setbacks before they finally win the prize. Last night, the ever-enterprising Aurora Orchestra played The Firebird – Stravinsky’s own musical vision of the intrepid hero who...

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