Reviews
Jack Dee, Gordon Craig Theatre, Stevenage review - now he really is a grumpy old manMonday, 11 November 2019
Jack Dee has made a career out of being a grumpy old man, even though he started on the comedy circuit in 1986 when he was 25. Back then, his dour, seen-it-all-and-not-impressed material was wonderfully at at odds not just with his age but also the... Read more... |
Arena: Everything is Connected - George Eliot's Life, BBC Four review - innovative film brings the Victorian novelist into the presentMonday, 11 November 2019
Gillian Wearing’s Arena documentary Everything is Connected (BBC Four) is a quietly innovative biography of an author whose works still resonate with their readers and the country within which she wrote. Wearing and George Eliot are a sympathetic... Read more... |
Caroline Moorehead: A House in the Mountains review – the women's war against FascismSunday, 10 November 2019
In September 1944, a heavily pregnant Resistance activist in the north of German-occupied Italy was arrested on a visit to Milan. Lisetta Giua, a law student and fiancée of the Jewish anti-Fascist chief Vittorio Foa, worked as one of hundreds of... Read more... |
Irenosen Okojie: Nudibranch review - daring and surrealSunday, 10 November 2019
Visceral, gaudy, alien, otherworldly to the point of being almost improbably imaginative, the nudibranch serves as an appropriate figure for Nigerian-British writer Irenosen Okojie’s muscularly surrealist prose. Look up a picture of one if you haven... Read more... |
Reissue CDs Weekly: Yesterday Has Gone - The Songs of Teddy RandazzoSunday, 10 November 2019
“It's Gonna Take a Miracle” just missed out on a mainstream US Top 40 placing after The Royalettes issued it as a single in June 1965. But the song had staying power. In 1971 Laura Nyro covered it, choosing it as the title track for the album she... Read more... |
Tim Minchin, Eventim Apollo review - fabulous triumph of rhyme and reasonSaturday, 09 November 2019
Is there anything Tim Minchin cannot do? He sings his own songs, plays hot bar-room piano and tells jokes about the existence of God. He composes musicals, performs in Lloyd Webber and Stoppard, writes a multimillion-dollar Hollywood cartoon which... Read more... |
Ólafur Arnalds presents OPIA, Southbank Centre review - many strange delightsSaturday, 09 November 2019
Ólafur Arnalds is almost secretly huge. Millions adore the melancholy beauty of the Icelandic composer’s music, yet his name still brings blank stares from some. The Royal Festival Hall was predictably full to bursting, though, to see Arnalds... Read more... |
Wallfisch, Northern Chamber Orchestra, Stoller Hall, Manchester review - Weinberg UK premiereSaturday, 09 November 2019
Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Raphael Wallfisch gave the UK premiere of his Cello... Read more... |
Tutankhamun: Treasures of the Golden Pharaoh, Saatchi Gallery review - worth its weight?Saturday, 09 November 2019
In 1922 Hussein Abdel-Rassoul, a water boy with Howard Carter’s archaeological dig in the Valley of the Kings, accidentally uncovered a step in the sand. It proved to be the breakthrough for which Carter, on the hunt for the final resting place of... Read more... |
The Good Liar review - the grey pound dipped in acidFriday, 08 November 2019
Ian McKellen, his Mr Holmes director Bill Condon and Helen Mirren play clever, nasty games with conman clichés and presumptions about the elderly in this sometimes absurdly twisty thriller.McKellen’s Roy Courtnay is an irascible, whiskery cad,... Read more... |
Midway review - gung-ho heroes battle moribund scriptFriday, 08 November 2019
Director Roland Emmerich has been trying to make this movie since the 1990s, and battled hard to raise its $100m budget from individual investors. But why? The result is an old-fashioned war film in praise of the heroic American servicemen who... Read more... |
The Taming of the Shrew, Barbican review - different but still problematicFriday, 08 November 2019
This is one play by Shakespeare ripe for tinkering. It's well nigh impossible now to take it at face value and still find romance and fun in the bullying: the physical and psychological abuse as a supposedly problematic wife is "tamed" into... Read more... |
