tue 06/05/2025

Reviews

Robin Ince, Soho Theatre review - fun among the chaos

How to describe a show that by Robin Ince’s own admission doesn’t have a narrative strand, and for which he has written several pages of notes that he gets through only a small section of? Well here goes: he calls the show a mash-up of the two...

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Florence + the Machine, BST Hyde Park review - mastering the matriarchy

It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and down like a pogo stick, whirling and spinning, or sprinting along the front of the stage to meet fans....

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Gina Apostol: Insurrecto review – a treacherous archipelago of stories

As in other countries born out of 19th-century uprisings against imperial power, the literary roots of the Philippines run deep. Executed by the Spanish in 1896, the novelist, poet and physician José Rizal remains the adored hero of his archipelago’...

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Reissue CDs Weekly: John Renbourn

Although British folk-jazz stylists Pentangle played their first official concert in May 1967, their name is borrowed for the title of Unpentangled, a box set of their guitarist John Renbourn’s work on album which kicks off two years earlier. It’s...

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Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

At their best, Olafur Eliasson’s installations change the way you see, think and feel. Who would have guessed, for instance, that Londoners would take off their togs to bask in the glow of an artificial sun at Tate Modern. That was in 2003, when The...

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The Brink review – behind the scenes with Steve Bannon

Donald Trump’s former strategist, alt-right propagandist and all-round provocateur Steve Bannon comes under the spotlight of a smart, dynamic, behind-closed-doors documentary, as he attempts to turn his brand of far-right populism into a global...

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Londinium, Griffiths, St John’s Waterloo review - a choral Grand Tour

Since 2005 Londinium has carved out a niche in the London choral scene as a purveyor of creative programming, exploring often neglected musical byways or making surprising connections and juxtapositions. Last night the idea was a musical...

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Joseph and the Amazing Technicolor Dreamcoat, London Palladium review - bright, brash, largely irresistible

Cheeky and broad and (for the most part) as entertaining as seems humanly possible, this embryonic entry from the collaborative pen of Tim Rice and Andrew Lloyd Webber is back at its onetime London home, the Palladium. It's a production far...

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Armstrong review - the man behind the leap

You wait 50 years for a moon landing documentary, then two come along at once! With Apollo 11 still showing in cinemas, along comes Armstrong. But while the former focuses solely on the lunar mission through archive footage, the latter is the wider...

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The Fountainhead, The Lowry, Salford review – marathon in Mancland

Ivo van Hove’s reputation precedes his work as a rumble of thunder goes before a storm. The Manchester International Festival, intensely proud to have on board the man some see as the most original theatre director around, has presented the UK...

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Takis, Tate Modern review - science and art collide

Half organic, half high-tech, a bank of magnet-flowers sways not in response to a breeze, but to a magnetic field. Their uncannily naturalistic movements are coupled with a form that is blatantly functional: an unseen, elemental force masquerades as...

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The Dead Don't Die review - return of the zom-com

Deadpan humour is given new meaning in Jim Jarmusch’s 13th film, a zombie comedy animated by his typical oddball style. Jarmusch has assembled a grand cast comprising recent collaborators Adam Driver and Bill Murray, long-term musician pals Tom...

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