sun 04/05/2025

Reviews

Sea Star: Sean Scully, National Gallery review - analysing past masters

Either side of a doorway, framing a view of Turner’s The Evening Star, c. 1830 (Main picture), Sean Scully’s Landline Star, 2017, and Landline Pool, 2018,  frankly acknowledge their roots. Abstract as they are, Scully’s horizontal bands of...

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Sleaford Mods, Dreamland, Margate review - musical news from broken Brexit land

Sleaford Mods are livid. About everything. But then, aren’t we all? If any single voice could represent this particularly bewildering era, it would be Jason Williamson’s. Outraged, marginalised, furious, he’s determinedly (with the help of henchman...

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World War Z review - bloodthirsty fun with the zombie apocalypse

Based on the 2006 book of the same name, and set in the same universe as the 2013 film adaptation, World War Z follows groups of survivors of a zombie apocalypse in the cities of Moscow, New York, Jerusalem, and Tokyo. The game unleashes hundreds of...

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Britney, Soho Theatre review - finding the funny in a brain tumour

A brain tumour isn't usually the subject of a comedy show but Britney, written and performed by comedy duo Charly Clive and Ellen Robertson, is just that. It's “the true story of what happens to two best friends when one of them [Clive] gets a brain...

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Banine: Days in the Caucasus review - revolutions, pogroms and love

By fifteen Ummulbanu Asadullayeva — or Banine, to call her by the name under which she wrote and translated — had already lived more than most of us will in a lifetime. She’d experienced great love, married, been both a refugee and returnee,...

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Reissue CDs Weekly: Terry Allen

Torso Hell tells the story of an American soldier whose limbs were blown off in Vietnam. Amazingly, he and his buddies survived, and in the ensuing medical chaos his arms and legs were re-attached to them rather than him. The narrator says “At the...

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Brockes-Passion, AAM, Egarr, Barbican review - fleshly Handel for our earthbound times

Whips, scourges, sinews, blood and pus: where Bach’s two Passions lament from a contemplative distance, Handel’s plunges right to the bone, to the cruel, tortured death that is the heart of the Easter story.Perhaps that explains the work’s recent...

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SS Mendi: Dancing the Death Drill, Isango Ensemble, Linbury Theatre - evocative and essential lyric theatre

While Bach's and Handel's Passions have been driving thousands to contemplate suffering, mortality and grace, this elegy for black lives lost over a century ago also chimes movingly with pre-Easter offerings. First seen in Southampton last year as a...

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St Matthew Passion, Ex Cathedra, Skidmore, Symphony Hall Birmingham - powerful, poignant Bach

For the final instalment of their three Matthew Passions this Holy Week, Ex Cathedra gave a large scale performance of Bach’s oratorio in their home town on Birmingham, after dates with lesser forces in London and Bristol. With an augmented...

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Red Joan review - Judi Dench can't lift lumbering espionage drama

The decades-long stage relationship between Judi Dench and Trevor Nunn translates to surprisingly little with Red Joan. This is veteran theatre director Nunn's first film since Twelfth Night in 1996. Top-billed in a supporting role, Dench brings her...

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Take That, SSE Hydro, Glasgow review - capes and cameos in 30th anniversary spectacular

This year, says Gary Barlow, marks 30 years since five boys walked into a room in Manchester and auditioned for what would turn out to be the UK’s most successful pop act. It is fitting, then, that what they are billing as the Odyssey tour features...

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Climate Change: The Facts, BBC One review - how much reality can humankind bear?

Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the permafrost this way and you’re seeing into the past: as the ice melts, gas which was captured and...

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