Reviews
Maria de Rudenz, Wexford Festival OperaTuesday, 01 November 2016
Given the horrors lurking in the composer’s more familiar operas, the warning that Maria de Rudenz is “perhaps the darkest of Donizetti’s tragedies” carries no little weight. A Gothic spectacular with echoes of The Castle of Otranto and Matthew... Read more... |
Romesh Ranganathan, TouringTuesday, 01 November 2016
Romesh Ranganathan has had an astonishing rise in comedy. The former teacher did his first full-length show at the Edinburgh Fringe in 2013, having made his debut there in 2010 in the newcomer competition, So You Think You're Funny? Now he's a... Read more... |
The Schumann Project, Oxford Lieder FestivalMonday, 31 October 2016
It felt oddly disrespectful showing up in time for Schumann's wake on the fifteenth and final day of this year's Oxford Lieder Festival. Having started with the early piano music and many of the chamber works before moving on to Schumann's annus... Read more... |
Humans, Series 2, Channel 4Monday, 31 October 2016
Humans is of course not about humans. Or not mainly. But if Channel 4 had called it Synths, which is what/who it is mainly about, maybe fewer would have signed up to watch, presuming it to be an eight-part series about Eighties pop. Synths, if you... Read more... |
Paul Nash, Tate BritainMonday, 31 October 2016
In Monster Field, 1938, fallen trees appear like the fossilised remains of giant creatures from prehistory. With great horse-like heads, and branches like a tangle of tentacles and legs, Paul Nash’s series of paintings and photographs serve as... Read more... |
Gerstein, BBC Symphony Chorus and Orchestra, Bychkov, BarbicanSaturday, 29 October 2016
What a relief to find Semyon Bychkov back on romantic terra firma after his slow-motion Mozart at the Royal Opera (performances speeded up somewhat, I'm told, after a sticky first night). On his own, dark-earth terms, there's no-one to touch him for... Read more... |
Nicky and Wynton: The Making of a Concerto, BBC FourSaturday, 29 October 2016
Two personable musicians, who win on all fronts: at the pinnacle of their highly competitive and skilled professions, highly articulate, and perhaps unlikely partners in their art. In one corner, ladies and gentlemen, the composer, world-leading... Read more... |
Classical CDs Weekly: Josquin, Mozart, Set in StoneSaturday, 29 October 2016
Josquin: Masses The Tallis Scholars/Peter Philips (Gimmell)Listeners hoping that Josquin might have deployed aleatoric, Cageian techniques in his Missa Di Dadi might feel short-changed here, though the musical virtues of this disc are never in... Read more... |
The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, Hampstead TheatreFriday, 28 October 2016
So many words, starting with the title - we're told we can call it iHo - and so many lines spoken by anything up to nine characters at once. But as this is the unique world of Tony Kushner, it's all matter from the heart, balancing big ideas and... Read more... |
The Young Pope, Sky AtlanticFriday, 28 October 2016
Having survived what you might call his boy-band years, Jude Law has emerged as a truly substantial actor, and his role here as Lenny Belardo, the newly-elected Pope Pius XIII, may prove to be a defining moment. Created by a multinational consortium... Read more... |
Amadeus, National TheatreFriday, 28 October 2016
Populist playwright Peter Shaffer, who died in June, gets a rapid honour from this flagship venue, which – aptly enough – is putting on his most popular play. So popular in fact that it has already sold out and is therefore critic-proof. Directed by... Read more... |
Neil Cowley Trio, Union ChapelFriday, 28 October 2016
For more than a decade, Neil Cowley and his trio have built a fervent and substantial following for their prog-jazz compositions of frenetic loops and engaging melodies. With a jazz trio’s organic movement and intimacy allied to a rocker’s bolder... Read more... |
