tue 03/06/2025

Features

theartsdesk in Milan: The Farce of Romeo and Juliet at La Scala

How often has one sat at a first night at the opera or ballet, groaning at missed cues, horrors with costumes, disasters with lighting:  one thinks they should surely have got it right by this time? And the rest of the evening is somehow...

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theartsdesk in Los Angeles: Dennis Hopper (RIP) On Show

While most will be familiar with him as an actor, and some will know him also as a photographer and painter, few will be aware of the full extent of the late Dennis Hopper’s artistic practice. Hopper, who died in May of this year, did everything...

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The BBC's new TV dawn for the Proms

Paul Lewis, Beethoven specialist and pioneering subject of the Q-Ball camera

For the couch-bound classical music lover, keeping up with the Proms is pretty straightforward. Step one: open bottle of agreeable claret. Step two: turn on Radio 3 and listen, or watch selected Proms on BBC Two or BBC Four. Or, indeed, catch up...

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Performing Die Schöne Müllerin

Few great works of art are as disarming as Schubert’s Die Schöne Müllerin. With its folksong-like melodies and deceptively simple harmonic palate, it is quite hard to account for the cycle’s profound emotional effect. How is it that over the course...

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Reconstructing Ballet's Past 2: Master Restorer Sergei Vikharev

When Russia was plunged into Revolution in 1917, a chief balletmaster inside the Imperial Ballet in St Petersburg feared the worst. It was not simply the death of Tsars he feared, but the death of all culture associated with them, including the...

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Remembering Charles Mackerras

Perhaps we can drop the "sir" here, as he preferred, though most of the contributors below only knew him in his knighted later years. No death of a musical great, at least since the departure of Mstislav Rostropovich, has caused such a flurry of...

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Verbier Festival: an Alpine symphony

It becomes increasingly hard for a music festival to stick out from the crowd these days. But high culture, high summer and high altitude create a rousing major chord each July in Verbier, which can genuinely claim to be the only festival you reach...

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theartsdesk in Buxton: The Buxton Festival

As I alight from the train at Macclesfield and scramble into the back of the taxi which will take me on the 20-minute journey across the Pennines to Buxton and its eponymous festival, the driver announces with grim satisfaction, “I am now going to...

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Interview: Os Mutantes

The mutants in regalia

Arnaldo Baptista of Os Mutantes is telling me why South American music can be so compelling: "It's the historical mix, Incas, black Africans, Europeans, beings from Outer Space." I beg his pardon. "Oh, yes, I have seen many flying saucers". Arnaldo...

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BBC Proms 2010: theartsdesk recommends...

It's that time again. The BBC Proms - in classical music terms, the greatest show on Earth - begin tonight with Mahler's massive Eighth Symphony. From Bryn Terfel in Wagner on the second night of the Proms to Sir John Eliot Gardiner and...

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Reconstructing Ballet's Past 1: Swan Lake, Mikhailovsky Ballet

You need very little for a Swan Lake. Tchaikovsky’s music, white swan-girls, a mooning boy, and 32 fouettés for the ballerina in black. That's about it, isn't it? Every traditional Swan Lake we see now is a sort of balletic pizza - a musical base...

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The Seckerson Tapes: Sting Interview

The location is Sting's beachside house in Malibu the morning after the night before: another night, another venue - the Hollywood Bowl - another three-hour Concert of his songs. That's concert with a capital "C" because this time Sting has brought...

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