The Man Who Could Upstage Dame Judi At The Prom | reviews, news & interviews
The Man Who Could Upstage Dame Judi At The Prom
The Man Who Could Upstage Dame Judi At The Prom
Introducing Dr Paul Whittaker OBE, who brings music to the deaf
Monday, 26 July 2010
'You start and you finish and that's it': the profoundly deaf Paul Whittaker signs 'Jerusalem' with The Sixteen
It has just been announced that Dame Judi Dench will be making her Proms debut this Saturday. Sondheim at 80 is the occasion, and she will reprise her rendition of “Send in the Clowns” from the National’s 1985 production of A Little Night Music. “It’s yours now,” Sondheim told her when he heard her performance. She will line up alongside Bryn Terfel, Simon Russell Beale, Daniel Evans, Maria Friedman, Caroline O’Connor, Julian Ovenden and Jenna Russell, as well as the BBC Concert Orchestra and a chorus of singers from the BBC Performing Arts Fund, all under the baton of David Charles Abell. But there is one less celebrated performer at the Prom who will be stealing a bit of limelight. And all without uttering a sound.
It has just been announced that Dame Judi Dench will be making her Proms debut this Saturday. Sondheim at 80 is the occasion, and she will reprise her rendition of “Send in the Clowns” from the National’s 1985 production of A Little Night Music. “It’s yours now,” Sondheim told her when he heard her performance. She will line up alongside Bryn Terfel, Simon Russell Beale, Daniel Evans, Maria Friedman, Caroline O’Connor, Julian Ovenden and Jenna Russell, as well as the BBC Concert Orchestra and a chorus of singers from the BBC Performing Arts Fund, all under the baton of David Charles Abell. But there is one less celebrated performer at the Prom who will be stealing a bit of limelight. And all without uttering a sound.
In effect he is speaking three simultaneous languages. Throw in his twinkling charisma, and the effect is intoxicating
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Perianes, Orchestre Symphonique de Montréal, Payare, Barbican review - elegance and drama but not enough bite
Often dynamic Venezuelan conductor misses the darkness of the 'Symphonie fantastique'
La Serenissima, Wigmore Hall review - an Italian menu to savour
Tasty Baroque discoveries, tastefully delivered
Roman Rabinovich, Wigmore Hall review - full tone in four styles
Fascinating Haydn, Debussy and Schumann, odd Beethoven
Wyn, Dwyer, McAteer, RSNO & Choirs, Diakun, Usher Hall, Edinburgh review - ebullient but bitty
‘Carmina Burana’ is fun in parts, but Langer’s ‘Dong’ doesn’t flow
Gerhardt, BBC Philharmonic, Chauhan, Bridgewater Hall, Manchester review - from grief to peace
Anna Clyne, Shostakovich and Richard Strauss tell us about loss, struggle and healing
Bach Brandenburg Concertos, OAE, QEH review - forever young
Zest, dash and fun in rejuvenated favourites
First Person: Alec Frank-Gemmill on reasons for another recording of the Mozart horn concertos
On ignoring the composer's 'Basta, basta!' above the part for the original soloist
Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and light
Radical masterpieces by Sibelius and Stravinsky have never sounded more extraordinary
Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue
Neglected London church now the home of a vibrant concert series
Classical CDs: Mandolins, multiphonics and multiple pianos
Classical horn concertos, a Gallic record label celebrated and Seventies pop meets the French baroque
Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review - the dude who dazzles
Fun French music forms a foil to naked, virtuoso pianism
Fauré Centenary Concert 5, Wigmore Hall review - a final flight
The master of levitation in transcendent performances from Steven Isserlis and friends
Add comment