Jasper Rees
Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins
Articles By Jasper Rees
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Playhouse Creatures, Orange Tree Theatre review - jokes, shi...
Creatives – or creatures? In the 1660s, women – having been banned from working as actors in previously more...
Album: Perfume Genius - Glory
I can’t stop reading and re-reading the review copy I got of a new book, out next week. Liam Inscoe-Jones’s ...
La finta giardiniera, The Mozartists, Cadogan Hall review -...
Just now, the notion of a long-term project that concludes in 2041 sounds like an optimistic bet on the far future worthy of some 18th-century...
La Cocina review - New York restaurant drama lingers too lon...
La Cocina is one of those films that cuts an excellent trailer, succinctly delivering just enough characters, plot and visual...
Album: Alison Krauss & Union Station - Arcadia
It’s been 14 years since Alison Krauss and Union Station released an album – 2011’s Paper Aeroplane. The world’s shed a few skins since...
Batsashvili, Hallé, Wong, Bridgewater Hall, Manchester revie...
Mariam Batsashvili, the young virtuosa pianist from Georgia, is a star. No doubt about that. Trained at the Liszt Academy in Weimar and winner of...
Blu-ray: Lifeforce
Tobe Hooper changed cinema with The Texas Chain Saw Massacre (1974) for pennies in rancid Southern heat, but came closest to a mainstream...
Der fliegende Holländer, Irish National Opera review - saili...
So much looked promising for Irish National Opera’s first Wagner: the casting, certainly, the conductor – Music Director Fergus Sheil knows and...
The Potato Lab, Netflix review - a K-drama with heart and wi...
When the world’s darkness is too much, there is a Netflix rabbit-hole you can disappear down to a kinder place: the...