Features
First Person(s): soprano Susan Bullock and baritone William Dazeley on filming Britten’s Owen WingraveFriday, 11 December 2020
Two of the singers in an ambitious project to film Britten’s opera based on a Henry James story – part timeless tale of repressive tradition which chimed with the composer's pacifist beliefs, part ghost story – which was originally “made for... Read more... |
Filmmaker Frank Marshall: 'People don’t understand what geniuses The Bee Gees were'Tuesday, 08 December 2020
Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into... Read more... |
Not-quite-solitude on the 34th floor: violinist Maxine Kwok on the short film 'Rising'Thursday, 03 December 2020
2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the foreseeable future. Artists spent months without any form of collaboration, leading to a serious lack of motivation due to... Read more... |
First Person: Avi Avital on 'Art of the Mandolin'Saturday, 28 November 2020
The mandolin is an instrument everybody has heard of without necessarily knowing much about it. Its history has been written by lovers of the instrument, often amateur players who are drawn to its approachable and appealing character, integrating it... Read more... |
‘Our whole industry is supported by vulnerable freelance creators': Chen Reiss on the artist in a time of CoronavirusMonday, 23 November 2020
I am not the first to say this, and I won’t be the last, but what a strange year 2020 has become! I am learning afresh what it is to be both a singer and a parent and, although we have all been kept closed in our little home “bubbles,” we are... Read more... |
First Person: Paul Bullock on making BBC Young Jazz Musician 2020Saturday, 21 November 2020
Producing music programmes for TV with live performance during the past few months has not been without its challenges, but somehow doing so right now feels more important than ever – both for the pleasure it brings audiences and as support for the... Read more... |
Book extract: Nativity by Jean Frémon, with drawings by Louise BourgeoisMonday, 16 November 2020How should one paint the baby Jesus? This deceptively innocent question runs the length of Jean Frémon's Nativity, a fictional work that takes as its subject the first painter to represent the saviour of humankind without his swaddling clothes. The... Read more... |
First Person: horn player Alec Frank-Gemmill on authenticity and enlightenment in lockdownSaturday, 14 November 2020
The UK’s music industry is in dire straits and my heart goes out to friends and colleagues in financial need. For a proper discussion of the current situation, I refer you to Sophia Rahman’s excellent article for theartsdesk. What I have written... Read more... |
First Person: Jessica Duchen on writing about Beethoven's Immortal BelovedTuesday, 10 November 2020
The identity of Beethoven’s “Immortal Beloved” is one of the biggest cans of worms in musical history. I hadn’t the slightest intention of writing a novel about it. At first I thought I’d create a narrated concert for the anniversary year... but... Read more... |
'Josquin has defined our career': The Tallis Scholars’ Peter Phillips on the end of a major recording projectSaturday, 07 November 2020
I have never been a fan of recording “Complete Works”. These projects almost inevitably include music that one would not normally spend time and money on, just to claim that one has done it all. For this reason the Gimell catalogue, from the... Read more... |
First Person: Cellist Alban Gerhardt on why concert-hall life must go onSaturday, 31 October 2020
With horror I heard on Wednesday that the proud cultural nation of Germany, which invests probably more money per capita in its concert, opera and theatre life than any other country in the world, had decided to close down what I as a German citizen... Read more... |
Filmmaker Bassam Tariq: 'Great cinema doesn't need to be perfect - embrace the imperfections'Tuesday, 27 October 2020
After Bassam Tariq's feature debut These Birds Walk was released at SXSW 2013, things seemed to slow down. The documentary about a runaway boy in Pakistan garnered strong reviews, but soon Tariq was working in a New York butchers pondering his... Read more... |
