tue 06/05/2025

Theatre

Kiss Me Kate, Old Vic Theatre

Cole Porter’s musical spin on Shakespeare demands the fluidity, fizz and acidity of champagne. In Trevor Nunn’s revival, which transfers to London after a successful run in Chichester, it’s more like gelato. It has sweetness, and a rich abundance of...

Read more...

Goodnight Mister Tom, Phoenix Theatre

Love and loneliness, broken homes and broken hearts, child abuse and communities clinging on through war... This adaptation of Michelle Magorian's children's book treats the darkest and most difficult of themes with a firm but tender touch,...

Read more...

Arab Nights, Soho Theatre

Given the present Middle East uproar, perhaps we shouldn’t be surprised that contemporary versions of The 1001 Arabian Nights are sprouting everywhere. With their variety of stories and roots in countries undergoing such political upheaval...

Read more...

The Mouse and His Child: Redemption, salvation and transformation

I read and loved The Mouse and His Child as a child. Apparently. I was reminded of this by the inscription in the copy I gave to my god-daughter 15 years ago. And again, when I read it to my own daughter 10 years later. It’s such an extraordinarily...

Read more...

The Magistrate, National Theatre

You don't see much of Arthur Wing Pinero's considerable output these days. Although he was largely contemporaneous with Oscar Wilde, George Bernard Shaw and Gilbert and Sullivan, whose works have stayed the course, his plays have not, with just a...

Read more...

The Promise, Trafalgar Studios

An expert cast delivers on their promise in Aleksei Arbuzov's triangular Russian drama from 1965 of the same name, which offers up war and peace and the shifting tides of love. There's so much of the last, in fact, that Alex Sims's production at...

Read more...

Epstein: The Man Who Made The Beatles, Epstein Theatre, Liverpool

Those of us growing up in the heady days of 1960s Liverpool knew that four local lads were taking the world by storm. Some really grown-up people might even have been to The Cavern and seen the phenomenon in their early days. And yet there was...

Read more...

Twelfth Night/Richard III, Apollo Theatre

Something new is happening in the West End. Just up the road from Thriller and down a bit from Les Misérables a billboard the colour of weak tea (positively consumptive compared to the full-colour, neon assaults on either side) proclaims the arrival...

Read more...

Love's Comedy, Orange Tree Theatre

1866 was a crucial watershed in Henrik Ibsen’s writing career. As a man he may have come of age some 20 years earlier, but it was only at almost 40 that his writing attained brooding, bearded maturity in Brand, the first in the sequence of plays...

Read more...

Constellations, Duke of York's Theatre

Nick Payne has already made quite a mark. In 2009 he won the George Devine award for Most Promising Playwright with the intriguingly entitled If There Is I Haven’t Found it Yet at the Bush. Wanderlust followed at the Royal Court and now with his...

Read more...

The Dark Earth and the Light Sky, Almeida Theatre

There’s no attempt to romanticise the hero of Nick Dear’s new play about the Anglo-Welsh poet Edward Thomas. Thomas, who died in action in the Battle of Arras in 1917 after enlisting at the age of 39 – far too old to have had to fight – is played by...

Read more...

The Effect, National Theatre

Science thrives on stage. In play after play, various scientific ideas seem to flourish in the warm, well-lit environment of the theatre, fed by a crew of artists and despite the threats of critics or other predators. Now, Lucy Prebble — fresh from...

Read more...
Subscribe to Theatre