New music
CD: Dark They Were And Golden Eyed - Design Your DreamsSunday, 19 November 2017
At three decades deep in the creative industries, it's fair to say Trevor Jackson is a renaissance man. He is a designer, filmmaker, music producer, radio and club DJ, compilation curator, label owner (he introduced Four Tet and LCD Soundsystem... Read more... |
Reissue CDs Weekly: Phil SeymourSunday, 19 November 2017
“Precious to me” is a high-carat gold nugget. A guitar-pop song with cascading, lush Everly Brothers harmonies drawing on The Searchers’ version of “When You Walk in the Room”, its immediate tune instantly lodges itself in the head.Instead of being... Read more... |
CD: Mavis Staples - If All I Was Was BlackSunday, 19 November 2017
The queen of R&B is no stranger to struggle – the Staples Singers, led by Pops, played a key role in the 1960s civil rights movement, emerging from the gospel circuit as so many great black singers did. Mavis’ first paid gig was with her family... Read more... |
Depeche Mode, Manchester Arena review - synth-pop gurus raise the spirits of thousandsSaturday, 18 November 2017
For a band as big as Depeche Mode, in a venue as big the 21,000-capacity Manchester Arena, on a tour as big as their current Spirit tour, it almost doesn’t need saying that the pre-gig atmosphere is buzzing. A major presence on the British music... Read more... |
Robert Glasper, Barbican review - emotional fellowship and creative interconnectionsSaturday, 18 November 2017
As moments of transcendence go, Laura Mvula’s guest spot at Robert Glasper’s EFG London Jazz Festival show provided one of the year’s most transporting musical moments.Powered by the huge harmonic slabs carved out by keyboardist Travis Sayles and... Read more... |
CD: Paloma Faith - The ArchitectSaturday, 18 November 2017
Over the last few months Paloma Faith has been talking up her fourth album, The Architect. There were self-perpetuated rumours of her rockin’ out, going off at a completely fresh musical angle, with lyrical content that sidestepped pop's usual... Read more... |
Protomartyr, Deaf Institute, Manchester review - post-punkers shake the roomFriday, 17 November 2017
Four albums in, Detroit’s Protomartyr have built up quite a following over the last five years. From the now-hard-to-find No Passion All Technique to Relatives in Descent, their lauded new album, Protomartyr’s precise post-punk has remained as... Read more... |
Seeger MacColl Family, Cecil Sharp House review - keeping the folk tradition aliveFriday, 17 November 2017
The family that sings together stays together… At least that’s true in folk music. Think of Waterson- Carthy and Seeger-MacColl. And last night at Cecil Sharp House, citadel of British folk music, Peggy Seeger and her sons Calum and Neill stepped... Read more... |
Mark Guiliana Jazz Quartet, Ronnie Scott’s review - sophistication and simplicityThursday, 16 November 2017
If having several projects on the go is a necessity for most jazz musicians, the US drummer Mark Guiliana is more protean than most, with a musical CV that traverses jazz, rock and electronic music. Like the pianist Robert Glasper, Guiliana – voted... Read more... |
CD: Morrissey - Low in High SchoolThursday, 16 November 2017
Morrissey inspires some pretty fierce adulation, but there surely can’t be a fan on the planet who loves Morrissey quite as much as Morrissey does. This is the man who was reported, lest we forget, to have insisted that his memoirs be published as a... Read more... |
Kesha, Electric Brixton review - a joyously sassy comebackWednesday, 15 November 2017
There are more clothes flying Kesha’s way than onto the stage at a Las Vegas Tom Jones concert in the mid-Seventies. She started it. As she introduced her 2010 single “Take It Off”, she announced that since things were so hot she’d be discarding a... Read more... |
CD: Evanescence - SynthesisWednesday, 15 November 2017
Evanescence have been away for a while, and fans looking for a whole album of new material will be disappointed. There are only two proper new songs on Synthesis (plus a couple of instrumental interludes). Instead, it’s an album of operatically-... Read more... |
