thu 19/06/2025

New music

Reissue CDs Weekly: Losing Touch With My Mind

It begins with The Stone Roses’ “Don’t Stop”, the fourth track from their 1989 debut long player. A backwards though thoroughly remixed version of “Waterfall”, the album’s preceding track, it enthusiastically pushes the button labelled “psychedelic...

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CD: Norah Jones - Begin Again

There's a remarkable lightness to the way Norah Jones has glid through her career. She once told theartsdesk that even in her early 20s, faced with the global hyper success of Come Away With Me, “I think I was smart enough to know at the...

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CD: Circa Waves - What It's Like Over There

Circa Waves, the guitar-band from Liverpool, go over a storm at festivals and large venues. With simplicity, tightness and concentrated energy, they know how to play with the tension that can build between soft and hard, the yin and the yang of rock...

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theartsdesk in Lisbon: Aga Khan Music Awards

The inaugural Aga Khan Music Awards, a three-day event held last weekend in Lisbon, celebrated nearly 20 years of wide-ranging work dedicated to the preservation of ancient and threatened cultures, an impressive programme of educational initiatives...

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theartsdesk on Vinyl 48: Curtis Mayfield, Rudimental, Ozric Tentacles, Prince, Girl Unit and more

Every month we start theartsdesk on Vinyl with the Vinyl of the Month, however, the truth is that, depending on your taste, many of the records reviewed below may be your own vinyl of the month. Whether reissues or new material or compilations,...

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CD: Ruby Rushton - Ironside

It's kind of vertiginous to realise that the revivalism of acid jazz was way closer to its 1960s and '70s source material than we are to it now. But the patterns that were laid down by the DJ sessions of Gilles Peterson and people like him back in...

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Drake, O2 Arena review - stadium hip-hop has a sincerity problem

Drake walked on water at times in his opening show at the O2 Arena. Sadly this was solely down to the impressive video projection that filled the giant screens beneath his feet. The 32-year-old Canadian rapper is one of the biggest-selling stars in...

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Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Hare and Hounds, Birmingham review – Matt Baty’s crew make ears ring like church bells

Support bands rarely get a mention in live reviews but Pigs Pigs Pigs Pigs Pigs Pigs Pigs’ opening act for their present jaunt around the UK, Cattle are no bog-standard fare, designed to make the headliners look good. Comprising two drummers,...

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CD: The Drums - Brutalism

The Drums appeared a decade ago out of New York, riding a media froth about indie music to critical acclaim and, at least for their debut album, some degree of commercial success. They were a four-piece who owed a large debt to New Order but had...

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Reissue CDs Weekly: Three Day Week - When the Lights Went Out 1972-1975

This new collection, compiled by Bob Stanley and Pete Wiggs of Saint Etienne, aurally delineates a period when much that was British had an edge of bleakness. Accordingly, Three Day Week – When the Lights Went Out 1972–1975 ought to be a grim listen...

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Tallinn Music Week 2019 review: 'We All Value Being European'

“We like people here in Estonia. I think we all here very much value being European. To all our British friends, we know that the offer of e-residency has been ticking-up constantly. You can find a sure foothold for your business here in Estonia....

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CD: Thee Telepaths – The Velvet Night

Kettering might not be the first place you’d associate with spaced-out psych-rock, but neither are Croydon or Rugby and they gave us Loop and Spacemen 3 respectively. Maybe it’s something to do with the need for escape that can make such prosaic...

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