TV
Matthew Wright
A young man, in trouble with drunk or drugs, returns to his Scottish family riven by dark secrets? Of course, it’s a new Iain Banks dramatisation, the first since the author’s death two years ago. This version of his 2012 novel Stonemouth attempts to recreate the success the BBC enjoyed with its 1996 adaptation of Banks’s Crow Road. Compressing a near-400 pages of fiction into two hours’ television requires a thicket of flashbacks that tests the viewer’s recall, and piles coincidence a little high in places, though enjoyable lead performances, and Banks’ gripping, if familiar, preoccupations Read more ...
Marina Vaizey
It is irresistible to watch Andrew Roberts, the ambitious historian of one of history's most ambitious figures, narrating a three-part account of his hero’s life and times. He is giving us a superb analysis of Napoleon Bonaparte’s gifts, flaws, insecurities and achievements. The first instalment opened with a glorious sunset over the South Atlantic, and several views of the dramatic scenery of the volcanic island of St Helena where the exiled Napoleon was held for six years, 4,000 miles from home, as the prisoner of the British, until his death in 1821 at the age of 51. We saw pivotal Read more ...
Jasper Rees
The Interceptor began as it didn’t mean to go on. A young boy of mixed race walked home through an estate and saw two men in a violent altercation. One, who was white, shot the other, who was black, presumably dead. “Dad!” called the boy. The murderer pointed the gun, realised he was aiming at his son, and scarpered.Spool forward a couple of decades. The boy, now an adult, had moved out of a gritty tragedy and into a trigger-happy comedy. Ash (OT Fagbenle) was a customs cop on the hunt for small fry in tandem with his buddy Tommy (Robert Lonsdale). Their first chase across a crowded Waterloo Read more ...
Adam Sweeting
This is supposed to be a major five-part documentary series probing into the innards of the Metropolitan Police, but it felt suspiciously like W1A in uniform. Was it the muted but insistently ominous background music, always trying to tell us that something really significant was happening when we were just watching yet another slab of b-roll footage? Or the dry, earnest voice-over, intoning that "this is a force under pressure"?Above all, maybe it was the way that gatherings of high-level officers might equally have a been a BBC strategy meeting. When the Met's Head of Communications started Read more ...
Jasper Rees
Teeth. Who’d have them? This documentary about the state of the nation’s gnashers came along at a timely moment for your reviewer. Earlier in the week I suffered my first ever extraction. Didn’t feel a jot of pain, of course, but by Christ you know all about it when the dentist is fiddling about inside your mouth, attempting with a variety of utensils to pluck out the culprit.I now see I had it easy. Meet Angela, a dog-walker from Cheshire. Her teeth were in a state of rococo disrepair. The camera went in for a snoop and it was like a cross between a motorway pile-up and a binful of rotting Read more ...
Adam Sweeting
The fifth, and supposedly final, series depicting the adventures of the covert-action tough guys of Section 20 won't surprise anyone, but it won't disappoint its devotees either. Fast, brutal and violent, Strike Back is a slick mix of movie-like production values and infinitesimal demands on the viewer's intellect, a winning commercial formula if ever there was one.The action opened in the steamy heat of Thailand, where English girl Chloe Foster thought she was about to have a quick leg-over with a handsome local boy, but instead found herself kidnapped by a thuggish gang of bandits. Turned Read more ...
Barney Harsent
A third series for Kay Mellor’s rags-to-riches series can herald few real surprises. We know, roughly speaking, what we’ll be getting: a cautionary tale – be careful what you wish for – populated by warm, well-drawn and big-hearted characters who are believably flawed and hiding secrets of the sort that fill the time and mouths of garden fence gossips across the country. That, and the reliable, solid ensemble cast that Mellor’s track record (Band of Gold, Fat Friends, In the Club) can command.What we might not have been expecting (had we managed to avoid the pre-transmission press) was for Read more ...
Jasper Rees
A long time ago I went out into the field to research a feature about the three ages of obsessive fandom. At the entry level was a bog-standard legion of young teenage girls who simply hung around outside the mansion block in Maida Vale where one or possibly both of the Gosses (of Bros) lived. I also met three young women who had access to Jason Donovan’s diary and were traipsing around town in the hope of glimpse. Donovan’s star had waned but they hadn’t moved on. Most tragic was my dinner in Soho with a Boy George lookalike, a dolled-up marionette who gave himself airs and got chauffeured Read more ...
Matthew Wright
Gravelly, Winstone-esque banter about the trauma of putting down the sawn-off and having to stop for red lights. Poor taste in swimwear and the chunkier kind of jewellery. We know what to expect from a sitcom about life on the Costa, on the run. Which makes SunTrap, BBC One’s new take on the genre, highly adventurous. Unfortunately, having torn up the rulebook, what we’re left with is not a brilliant new approach, but a fistful of fragments, albeit highly coloured and diverting in patches. As fugitive tabloid reporters (the series’ title tips the wink about who’s in the Beeb’s sights here) Read more ...
Adam Sweeting
Finally reaching its concluding 22nd episode, delayed further by the "mid-season break" fashionable with American shows, Gotham [****] stands tall as a distinctive contribution to the seemingly inexhaustible superhero universe. Instead of relying on gargantuan cartoon characters and a hurricane of computerised effects in Marvel Avengers style, Gotham has used the scope afforded by a prolonged TV series to develop a specific world populated by rounded characters which evolve and move convincingly through time.A Batman prequel rooted in DC Comics mythology, Gotham pieces together a putative Read more ...
Tom Birchenough
“Enjoy the war, for the peace will be savage,” was apparently a macabre joke circulating in the German military towards the end of World War Two. Peter Molloy’s searing documentary, 1945: The Savage Peace, showed us just how prescient it would prove, charting the cruelties that would follow the end of conflict. Man’s inhumanity to man would continue long after the war itself had formally ended.It showed itself in many different forms of vengeance and reprisal. Soviet troops advancing on Berlin raped German women of all ages on an almost unimaginable scale, not something that’s mentioned in Read more ...
Marina Vaizey
The country is groaning under the weight of commemorations, exhibitions, publications and programmes all marking significant anniversaries of World War One, but the underlying message – lest we forget – remains as potent as ever, perhaps even more so in these tumultuous times.Narrating this documentary chiefly concerned with the art of the First World War, Oscar-winning actor Eddie Redmayne told us that the art described the indescribable, conveying what is beyond description. If that sounds unbearably fey it isn’t at all, for the surprise and interest of this programme was in fact two-fold: Read more ...