1940s
Pioro, Julien-Laferrière, BBC Philharmonic, Schwarz, Bridgewater Hall, Manchester review - joy on a Saturday nightMonday, 14 November 2022
This was at first sight a somewhat ordinary looking programme for the BBC Philharmonic: Beethoven, Brahms … even Stravinsky doesn’t frighten a Saturday night audience in Manchester these days. They come for a good night out and quite a lot... Read more... |
From Here to Eternity, Charing Cross Theatre review - Pearl Harbour musical fails to flyWednesday, 09 November 2022
Whorehouses, gay prostitution and suicide – you can see why James Jones’ bestselling 1951 novel was bowdlerised by the publishers and sanitised into subtext by Hollywood for the Oscar-laden movie released a couple of years later. As the extensive... Read more... |
SAS Rogue Heroes, BBC One review - rock'n'roll desert warfare from the pen of Steven KnightMonday, 31 October 2022
Irregular warfare has proved to be a speciality with the British armed forces. This new six-part series, based on Ben Macintyre’s 2016 book, tells the story of the chaotic birth of the Special Air Service during the war in North Africa in 1941, and... Read more... |
Good, Harold Pinter Theatre review - brilliant but half-bakedThursday, 13 October 2022
“The bands came in 1933.” So begins C P Taylor’s Good, a play that tries its hardest to resist being Googled. It was first performed by the RSC in 1981; this production, starring David Tennant as a mild-mannered German professor who gradually... Read more... |
Much Ado About Nothing, National Theatre review - Shakespeare’s comedy goes Hollywood musicalFriday, 22 July 2022
After gender-flipping the National’s Malvolio, the director Simon Godwin might have been expected to be equally bold with Much Ado About Nothing at the same address. A same-sex Beatrice and Benedick romance? Dogberry in bondage gear, zonked out on... Read more... |
Frida Kahlo Through Indian Classical Music, Elgar Room, Royal Albert Hall review - a strangely effective meeting of culturesTuesday, 19 July 2022
This one sounded implausible. Frida Kahlo, the great (and fashionable – collected by the likes of Madonna) Mexican painter interpreted by Indian classical music at the Elgar Room in the Royal Albert Hall. It was, however, entrancing, made a... Read more... |
Blu-ray: The Last MetroTuesday, 14 June 2022
The Last Metro (Le dernier métro), from 1980, is without doubt one of François Truffaut’s best films: a story beautifully told, strong on character, sometimes funny and always profoundly moving. Most of the credit has gone to Truffaut and co-stars... Read more... |
Das Boot, Series 3, Sky Atlantic review - submarine warfare finds new horizonsWednesday, 25 May 2022
The challenge for the makers of Das Boot is to keep finding new ways to move the show forwards and outwards without losing touch with its foundations in World War Two submarine warfare.This wasn’t a problem faced by Wolfgang Petersen when he made... Read more... |
Peter Grimes, Royal Opera review - impressive, not quite devastatingFriday, 18 March 2022
"Why does he have to sentimentalise this piece?", Britten is reported by former Royal Opera director John Tooley to have said of Jon Vickers as Peter Grimes the tormented fisherman, so very different from the composer's life partner and creator of... Read more... |
Great Freedom review - love behind bars in GermanySaturday, 12 March 2022
A story of forbidden love, Great Freedom takes place almost entirely in a prison. The film's background is encapsulated in the word “175er/ hundertfünfundsiebziger”, still to be found in German dictionaries and collective memories as a... Read more... |
Koranyi, Hallé, Berglund, Bridgewater Hall, Manchester review - beauty and joyFriday, 11 March 2022
It’s catching on … for the second consecutive night I heard an orchestra begin by playing, to a standing audience, the Ukrainian national anthem. The previous night it was Opera North’s musicians: this time the Norwegian conductor Tabita Berglund... Read more... |
Fisher, BBC Philharmonic, Wigglesworth, Bridgewater Hall, Manchester review - war-tinged Vaughan WilliamsMonday, 28 February 2022
There was no overt reference to the world outside in this concert, and yet the poignancy of its content could hardly have been clearer if it had been planned: two symphonies and a song cycle each touched by the tragedy of war.It was the launch event... Read more... |
