sun 29/12/2024

1960s

Music Reissues Weekly: March of the Flower Children - The American Sounds of 1967

“March of the Flower Children” was a June 1967 B-side by Los Angeles psych-punks The Seeds. The track was extracted from their third album Future, a peculiar dive into psychedelia which was as tense as it was turned on. While the song’s lyrics...

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Music Reissues Weekly: Playing for the Man at the Door - Field Recordings from the Collection of Mack McCormick

Between the late 1950s and around 1971, Robert “Mack” McCormick (1930–2015) travelled through his base-state Texas, Alabama, Mississippi, west Louisiana and parts of Arkansas and Oklahoma looking for musicians to record. It wasn’t a random process:...

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Judy Collins, Cambridge Folk Festival review - celebrating a seminal Sixties' album

It’s 15 years since Judy Collins last stepped out at the Cambridge Folk Festival. She was a mere 68 then and, in the time since, little has changed except her hair, the famous rock-star mane lopped so that she now resembles the cover of those...

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Music Reissues Weekly: Glenda Collins, Heinz, David John & The Mood - the latest treasures from Joe Meek's Tea Chest Tapes

Restraint wasn’t the watchword. Around March 1965, Heinz was in Joe Meek’s North London recording studio taping “Big Fat Spider,” which became the B-side of his April single version of “Don’t Think Twice it’s Alright.” A run-through which didn’t end...

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Indiana Jones and the Dial of Destiny review - a baggy, finally poignant finale

Raiders of the Lost Ark (1981) revived Thirties adventure serials’ simple thrills, a George Lucas notion adrenalised by Spielberg. Its hero Indy Jones wasn’t built for depth or pathos, and the struggle to find reasons for his return notoriously sank...

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Stumped, Hampstead Theatre review - Beckett and Pinter, waiting for Doggo

Much of cricket comprises waiting – you wait on the boundary to hear news of the toss, you wait your turn to bat, you heed the call of your batting partner to wait to see if a run is on, you wait for the rain to stop. A friend once told me that he...

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Music Reissues Weekly: Blossom Dearie - Discover Who I Am

Had Blossom Dearie overtly embraced pop, her vocal style could be characterised as along the lines of Priscilla Paris, Jane Birkin or Saint Etienne’s Sarah Cracknell – intimate, a little breathy, oxygenated. However, jazz was her bag and June...

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Music Reissues Weekly: Let's Stomp - Merseybeat and Beyond

The words “Mersey” and “beat” were first publicly paired-up in July 1961 when a newspaper titled Mersey Beat went on sale in Liverpool. The debut issue – dated July 6-20 1961 – was distributed to newsagents. Its editor, art student Bill Harry,...

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Album: Yusuf/Cat Stevens - King of a Land

Yusuf/Cat Stevens’ latest combines his apparently effortless immediacy at acoustic guitar songwriting with an orchestrated opulence that sometimes pushes the sound towards the realms of musical theatre. Lyrically, he’s in fine form too, but what...

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Music Reissues Weekly: Folk, Funk & Beyond - The Arrangements Of John Cameron

Donovan’s “Sunshine Superman” was the UK’s first explicitly psychedelic record. Although there were delays with it hitting shops, it was recorded in December 1965. A large part of its impact came through the instrumentation and arrangement. Jazz...

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Moon Is the Oldest TV review - a fitting tribute to a visionary modern artist

Who created the term “electronic superhighway”? First described a system of linked communication that would become the internet? Envisioned a multichannel TV system where viewers chose for themselves what to tune into? Watch Amanda Kim’s excellent...

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Brokeback Mountain, @sohoplace review - emotionally inert take on acclaimed tale of queer love

For a masterclass in expansive adaptation, one could do worse than turn to Ang Lee’s Oscar-winning Brokeback Mountain, based on American author Annie Proulx’s 1997 short story of the same title. Proulx’s restrained but searing tale of the queer...

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