1990s
Guy Oddy
While Oasis have so far resisted the temptation of the big pay-off that a Gallagher family reunion would ensure, plenty of other Britpoppers have been considerably less coy about getting back together since the heady days of the 1990s. We’ve already had reunions from Blur (albeit temporarily), Suede, Dodgy and even Shed Seven. Now though, it is the turn of Louise Wener’s four-piece, Sleeper.Slipping easily back into their old sound with New Wave guitars and bitter-sweet, spoken-sung vocals, The Modern Age could easily be a reissue from Sleeper’s first time around. However, while the sound is Read more ...
Demetrios Matheou
There have been two relatively recent, welcome correctives in what is grandiosely referred to as the “Marvel Cinematic Universe” – a move towards diversity (Black Panther) and a sharp injection of comedy (Guardians of the Galaxy, Thor: Ragnarok). With Captain Marvel the studio combines the two elements, resulting in one of the more breezily enjoyable and emotionally satisfying of the franchise. And in Brie Larson’s Carol Danvers, aka Captain Marvel, it has an actress and a heroine ready to take over from Robert Downey Jr/Tony Stark/Iron Man as the Avenger’s top dog. What a Read more ...
Owen Richards
When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix. Their return in 2019 heralds a much bigger reaction, with faces plastered on front pages and buildings (including a traditional Derry mural). Can these comic upstarts meet the considerably raised expectations?Well, leave it to the ethereally oblivious Orla to quell any early reservations. Interrupting Erin in the tub as she wistfully imagines Read more ...
Sarah Kent
Ray’s world has shrunk to a single room in a council flat. His life consists of drinking home-brew, smoking, gazing out of the window, listening to Radio 4 and sinking into an alcohol-induced stupour. There’s no need ever to leave his bedroom because his neighbour Sid does all the necessaries. A lone alcoholic asleep in a dingy room may not be the most gripping opening to a new British film Ray & Liz, but the scene is shot with such compelling attention to detail that a kind of squalid dignity is conferred on Ray’s solitary existence. The drama comes later when his estranged wife Liz Read more ...
Thomas H. Green
It is hard to absorb the news that Keith Flint of The Prodigy has been found dead at his home in Essex. Keith Flint! The guy with the double Mohican and panda eye-liner who terrified Middle America in the video for “Firestarter”. He was ever an integral part of The Prodigy’s unstoppable live electronic dance assault and, while it’s too early to ponder such things, it’s difficult to imagine them without him.Prior to global fame that found the band circa 1997, The Prodigy had been a breakout rave act, hitting the UK charts with hits such as “Charly”, “Voodoo People”, “Out of Space” and “No Good Read more ...
Kieron Tyler
Full marks for shoehorning-in the names of city’s two major football teams into the title of Manchester - A City United In Music. But this spiffy double-CD compendium roams further than the boundaries of the titular metropolis. Leigh, Salford, Stockport, Timperley and Warrington are in the mix too. “Manchester-area” or “Manchester-region” wouldn’t be such snappy designations but the point is made – Manchester is suffused in music.The period covered is covered is 1963 to 1994 with a couple of outliers rounding-out the picture. What’s dealt with is from the Beatles-dominated beat era up to and Read more ...
Saskia Baron
What is it with all these new films based on biographies? Vice, Green Book, The Mule, Stan & Ollie, Colette… and that’s before we even get to the royal romps queening up our screens. At least Can You Ever Forgive Me? brings a lifestory to the cinema which isn’t too familiar to audiences outside literary America. It’s based on the autobiography of a professional biographer, Lee Israel, who made her living writing about people like Katherine Hepburn and Tallulah Bankhead before coming a cropper on an unauthorised account of Estée Lauder and ending up broke and desperate. Read more ...
Kieron Tyler
Moments into “Maker of me”, it’s evident that The Story of Valerie is special. A circular piano figure accompanies a disembodied female voice singing and speaking of a relationship that’s “greater than myself.” Punctuation from a bass guitar is sprinkled sparingly. The next track, “Golden Boy”, is similarly formidable but employs an electronic keyboard, a drum machine and features an even more intense vocal. The singer – Carola Baer – is striving for a form of ecstasy.The Story of Valerie’s third track “Love me” is doubly impassioned. A keyboard conjuring a pattern evoking Philip Glass meshes Read more ...
Thomas H. Green
Recent years have seen a boom in music documentaries. They are, after all, relatively cheap to make and have a readymade audience. Their narratives are usually similar, and so it is with The Man From Mo’Wax: fame and glory, followed by a fall from grace, followed by self-reflection, absolution and a glimmer of fresh success. What many of them also offer is a sense of wild passion, of the raw, unfettered power of music. This film has little of that. It’s a tale of too-cool-for-school hipsters (at least, that’s how we’d term them now), with the too-cool-for-school-est of them all, Mo’Wax boss Read more ...
Thomas H. Green
Enough hyping! This month, without further ado, let’s head straight to the reviews…VINYL OF THE MONTHLOR Lunar Orbit Rendezvous (Lo Records)With Public Service Broadcasting’s The Race for Space making a noise only three years ago (and First Man doing the rounds at the cinema), who’d have thunk there was an appetite for more moon landing-based electronica. Maybe there is, maybe there isn’t, but Belfast DJ-producer LOR has gone for it anyway, with a deliciously warm and quirky two sides of technotronic goodness. A lunar orbit rendezvous is the process by which astronauts travel from their Read more ...
Thomas H. Green
“That’s what we fucking do!” So says Maxim at the concert’s very end, surveying the sweating, raving carnage of 4,500 souls before him. One of The Prodigy’s two frontman, he stands still finally, after spending the rest of the gig pacing and rushing up and down the lip of the stage like a caged panther. We all know what he means. He means that his band have wrung us out, taken us to a fervour of devil-may-care limb-swinging derangement. The Prodigy always bring the party and, yet again, 28 years into their career, they wreak havoc in a way very few bands of any age or era can.The stage Read more ...
Kieron Tyler
Think of Cocteau Twins. Their label 4AD will inevitably be high on the list of markers coming to mind. Whatever they were like as people, mysterious, oblique, shadowy and other similar adjectives were conjured for the band – and label alike. Despite interpretations of them as something other, their 1990 album 4AD Heaven or Las Vegas went Top Ten in the UK, entered the American Top 100 and sold quarter of a million copies.Yet Cocteau Twins’ final two albums came out on Fontana, an adjunct of the major label Phonogram which, in time, was absorbed into the multi-national conglomerate Universal. Read more ...