2010s
Ryuichi Sakamoto: 'Ideally I'm recording all the time, 24 hours a day' - interviewSaturday, 26 May 2018
Ryuichi Sakamoto has conquered underground and mainstream with seeming ease over four decades, never dropping off in the quality of his releases. Indeed his most recent projects, following his return to public life after treatment for throat cancer... Read more... |
Syria: The World's War, BBC Two review - anatomy of a conflict, brilliantly toldFriday, 04 May 2018
This was not a film that left you with much respect for the wisdom of politicians, but perhaps its truest line came from John Kerry, when he called the ongoing – seven years, and counting – Syrian conflict “an insult to the humanity of this planet... Read more... |
CD: Sonido Gallo Negro - Mambo CósmicoMonday, 02 April 2018
How many albums today feature a sorceress on the harp, an instrument more often played by winged angels? "La Bruja de Texcoco", a practising witch and healer, is one of several Mexican musicians who join Sonido Gallo Negro in their latest and very... Read more... |
Beginning, Ambassadors Theatre review - funny and richly moving comedy about lonelinessWednesday, 24 January 2018
Awkwardness is a challenging effect in drama, and one so rewarding when it works. When the movement isn’t easy, when the dialogue doesn't flow; when, with emotional revelations broken and coming with difficulty, the pauses speak more powerfully than... Read more... |
Insyriated review - claustrophobic terror in a Damascus war zoneFriday, 08 September 2017
It doesn’t take long, I think, to work out the associations of the title of Insyriated: we are surely being presented with a variation of “incarceration”, one tinged by the very specific context of the conflict that has ravaged Syria for six years... Read more... |
The Gabriels, Brighton Festival review - hilarious drama in the shadow of TrumpTuesday, 23 May 2017
The subtitle of Richard Nelson’s new trilogy suggests an anti-Trump polemic. Instead, its miraculous, almost invisible craft fulfils the President’s most hollow promise. It restores full humanity to a family of lower-middle class Americans who often... Read more... |
Pink Floyd: Their Mortal Remains, V&A review – from innocence to experience and beyondWednesday, 10 May 2017
The title of this exhibition is typical of Pink Floyd’s mordant view of the world, not to mention their sepulchral sense of humour. Needless to say, the band that took stage and studio perfectionism to unprecedented lengths have pushed the boat out... Read more... |
Love, National TheatreWednesday, 14 December 2016
For a play that ends with 15 minutes of breath-stopping, jaw-dropping theatre that is surely as powerful as anything the departing year has brought us, Alexander Zeldin’s Love has a challenging relationship to the concept of drama itself. For the... Read more... |
Icebreaker and BJ Cole, Milton CourtThursday, 13 October 2016
Call it re-analogification, de-digitisation or perhaps just plain reverse-engineering, Icebreaker’s set at Milton Court was all about reclaiming the electronic for hoary-handed instrumentalists. Their skills are well-honed: from Anna Meredith to... Read more... |
DVD/Blu-ray: CosmosFriday, 07 October 2016
This is farce played at a bizarre pitch, hysterical and absurd. Its Polish director, Andrzej Zulawski, remains most notorious for Possession, the 1981 horror film about marital immolation in which Isabelle Adjani erupts with a juddering, liquefying... Read more... |
Björk, Royal Albert HallThursday, 22 September 2016
I'll be straight: I wasn't sure what to expect at this show, because I've never been a Björk fanatic as such. I loved – and saw live – The Sugarcubes as a teenager, I've raved to her Nineties Debut and Post era tracks, and I've enjoyed plenty... Read more... |
10 Questions for Christine McVie of Fleetwood MacTuesday, 20 September 2016
theartsdesk meets Christine McVie on a sunny Friday afternoon in September; the Warner Brothers boardroom (with generous hospitality spread) is suitably palatial. We’re the first media interview of the day, so she’s bright and attentive. McVie was... Read more... |
