America
Two Strangers (Carry A Cake Across New York), Criterion Theatre review - rueful and funny musical gets West End upgradeTuesday, 30 April 2024
Small-scale shows, nurtured in offbeat places, are becoming all the rage in the West End. Red Pitch, Operation Mincemeat, For Black Boys… have already made their mark, and now this quirky musical for just two performers joins them.It’s been a long... Read more... |
Thank You, Goodnight: The Bon Jovi Story, Disney+ review - how the boy from Sayreville, NJ conquered the worldTuesday, 07 May 2024
To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll, Disney+ have served up this sprawling four-part documentary which tells you more about Jon Bon Jovi and his band of brothers than you ever needed to know. Or, possibly... Read more... |
Love Lies Bleeding review - a pumped-up neo-noirSaturday, 04 May 2024
Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger comes to town.In Love Lies Bleeding, a smart, sexy neo-noir, the drifter is a weightlifter named Jackie... Read more... |
Album: Fred Hersch - Silent, ListeningMonday, 22 April 2024
The previous solo piano solo album from Fred Hersch, one of the world’s great jazz pianists, was called Songs from Home, released on the New York indie jazz label Palmetto Records towards the end of 2020. Silent, Listening, released this month on... Read more... |
The Songs of Joni Mitchell, Roundhouse review - fans (old and new) toast to an icon of our ageSaturday, 20 April 2024
For most people’s 40th birthday celebrations, they might get a few friends together, rustle up a cake, and toast to another turn around the sun. But when musician Lail Arad realised the stars had aligned with her beloved Joni Mitchell's own 80th... Read more... |
Machinal, The Old Vic review - note-perfect pity and terrorFriday, 19 April 2024
Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s Machinal. It hits hard as a 1920s mechanical symphony with a lyrical slow movement and words/cliches used... Read more... |
The Comeuppance, Almeida Theatre review - remembering high-school high jinksTuesday, 16 April 2024
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American playwright Branden Jacobs-Jenkins’s The Comeuppance might, just might, lead me to reflect on the wisdom of revisiting the... Read more... |
Civil War review - God help AmericaFriday, 12 April 2024
Alex Garland’s fourth movie as writer/director is a chilling glimpse of an American dystopia, fortuitously timed for the run-up to the forthcoming US elections. However, it steers fastidiously clear of drawing any obvious Trump vs Biden parallels,... Read more... |
Album: Maggie Rogers - Don't Forget MeFriday, 12 April 2024
For the past almost two years, Maggie Rogers has taken an unexpectedly special place in my heart and musical tastes. Upon reviewing her previous album, Surrender, because of the difference in style and sound to my usual tastes I was caught... Read more... |
Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its MaryWednesday, 03 April 2024
Memory is a confounding thing. By way of proof, just ask the Mary Tyrone who is being given unforgettable life by Patricia Clarkson in London's latest version of Long Day's Journey into Night, which has arrived on the West End (and at the same... Read more... |
Album: Beyoncé - Cowboy CarterMonday, 01 April 2024
The second act of a trilogy, launched with “Renaissance” (2022), Beyoncé’s latest release has been loudly proclaimed as her “Country” album. In a tradition of surprising and controversial self-reinventions that includes among others Bob Dylan’s... Read more... |
Mothers' Instinct review - 'Mad Women'Sunday, 31 March 2024
This is a Nineties psycho thriller in Mad Men clothes, undermining its Sixties suburban gloss and Anne Hathaway and Jessica Chastain’s desperate housewives with genre clichés, yet sustained by the courage of debuting director Benoît Delhomme’s un-... Read more... |
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