fri 10/10/2025

America

A House of Dynamite review - the final countdown

Armageddon is here again, as Kathryn Bigelow’s first film in eight years examines the minutes before a nuclear missile hits Chicago from multiple perspectives, finding no hope anywhere.Captain Olivia Walker (Rebecca Ferguson) is our first witness,...

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Odd times and clunking lines in 'The Life of a Showgirl' for Taylor Swift

It’s funny: people say a lot online that what you’re allowed to like and dislike in music is bounded by age, gender and so forth. “It’s not FOR you,” they say. And in many ways, when it comes to Taylor Swift, that’s fair enough.There are certainly...

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Emily A. Sprague realises a Japanese dream on 'Cloud Time'

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s when every other electronica dork started flinging random kanji characters on their sleeves, writing...

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theartsdesk Q&A: Idris Elba on playing a US President faced with a missile crisis in 'A House of Dynamite'

Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's portraying the American President in Kathryn Bigelow's tense political thriller A House of Dynamite.The White House Situation Room...

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Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its parts

It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually challenging as they are visually exhilarating. Last week, audiences were asked to understand the forces of...

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One Battle After Another review - Paul Thomas Anderson satirises America's culture wars

Paul Thomas Anderson’s frantic One Battle After Another is a storm warning for a fascist America and both a lament and a rallying call for revolutionary fervour.Unfurling in the early Obama years and the near future, it’s a late ‘60s/early ‘70s West...

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Kerry James Marshall: The Histories, Royal Academy review - a triumphant celebration of blackness

This must be the first time a black artist has been honoured with a retrospective that fills the main galleries of the Royal Academy. Celebrating Kerry James Marshall’s 70th birthday, The Histories occupies these grand rooms with such joyous ease...

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Mariah Carey is still 'Here for It All' after an eight-year break

One of the great moments of Private Eye magazine’s fustiness in recent years was putting Mariah Carey in Pseud’s Corner, for the quote about how she deals with the ageing process: “I do not acknowledge time.” That quip is of course in no way pseudo-...

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Spinal Tap II: The End Continues review - comedy rock band fails to revive past glories

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for Spinal Tap, since it arrives no less than 41 years after its predecessor, This Is Spinal Tap. The latter has become renowned as a...

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Honey Don’t! review - film noir in the bright sun

The Coen brothers’ output has been so broad-ranging, and the duo so self-deprecating, that critics have long had difficulty getting their arms around them. Telling stories of distemper in the American heartland, with the occasional drive-by hit...

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Album: Josh Ritter - I Believe in You, My Honeydew

Americana rocker Josh Ritter can write a beautiful song. He’s one of America’s premier wordsmiths of the form. He’s also written two novels, which is no surprise; many of his best songs have narrative edge. He’s equally capable at the music, which...

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The Paper, Sky Max review - a spinoff of the US Office worth waiting 20 years for

Fans of the US version of The Office may wonder what happened to the assorted oddballs of Dunder Mifflin, proud creators of paper products in Scranton, Pennsylvania. They will be none the wiser after watching the pilot episode of The Paper,...

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