Hungary
Simon Thompson
Fresh from their triumph at the Proms, the Budapest Festival Orchestra arrived at the Edinburgh International Festival with a programme that centred on dance, and culminated in as fine a performance of Bartók’s Miraculous Mandarin (the complete score, not the suite) as you’d hope to hear. This is music that the Budapest players have in their blood, and you could tell that in the way they conjured up sound that managed to be grimy and nasty but lush at the same time. Iván Fischer paced the manic opening more slowly than you’d expect, but he shaped the unfolding drama with masterful edge, Read more ...
David Nice
“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both extremes, but Iván Fischer and the Budapest Festival Orchestra led us from the most dancing of Seventh Symphonies to the endless night of Duke Bluebeard’s Castle, from explosive A major to quietest C sharp minor. If not everything along the way was perfect, or even in one major case present, the outlines were bold and engaging.Beethoven's Seventh Symphony was the last major work I heard at the Pärnu Music Festival only a fortnight ago. It bears repeating that young Read more ...
David Nice
A showstopper for starters followed by dark depths, a quirky compilation after the interval: it’s what you might expect from Iván Fischer and his 42-year-old Budapest Festival Orchestra. All Prokofiev, too: the sort of thing we used to get from Valery Gergiev and visiting Petersburgers. Yet while Gergiev’s alliance with Putin means he’ll not be here again, Fischer has balanced criticising Orbán and keeping his Hungarian orchestra on the road.The nominal star soloist was Igor Levit, one of the few pianists in the world up to the colossal demands of Prokofiev's Second Piano Concerto, but as Read more ...
graham.rickson
Snow Dance for the Dead: Choral Music by Seán Doherty New Dublin Voices/Bernie Sherlock (Voces8 Recordings)I have come across the choral music of Seán Doherty more and more recently and always liked what I have heard. His music is imaginative, wide-ranging and original, and all these things are evident in his debut disc with New Dublin Voices, under their enterprising conductor Bernie Sherlock. Doherty has been a member of the choir since 2015, and Sherlock describes him as “a tap that pours out great choral music”. There is certainly more than enough variety to sustain a full album – Read more ...
graham.rickson
There’s a lot to unpick in Zoltán Fabri’s 1956 film Merry-Go-Round (Körhinta). Take leading man Imre Soós’s disarming resemblance to a young Peter O’Toole, and a central love story which plays out like a Hungarian take on Romeo and Juliet with some post-war agrarian politics thrown in for good measure.Fábri keeps his narrative and thematic plates spinning brilliantly: Soós’s charismatic co-operative farmer Máté falls for Mari (a luminous Mari Törőcsik in her debut film appearance), whose father István is a stubborn private smallholder looking to expand his empire. Fábri captures a society on Read more ...
Boyd Tonkin
The Zurich International series at Cadogan Hall has turned into a horizon-expanding stage on which to catch those visiting orchestras that don’t always claim top billing in bigger venues. The hall’s welcoming acoustic shows off the sound and style of its guests as the grander barns might never do.After an acclaimed debut UK tour in 2022, Thursday night saw a return engagement for the Concerto Budapest Symphony Orchestra: not, at present, Hungary’s most fêted ensemble but one that, on this form, more than deserves its loud hosannas. Founded (as the Hungarian Symphony Orchestra) before the Read more ...
David Nice
It would be worth travelling a long way to hear the Budapest Festival Orchestra giving such a lithe, athletic performance under its founder and Music Director Iván Fischer of Glina’s Ruslan and Lyudmila Overture. That was the Radio 3 and Proms Audience Choice from 19 overtures and preludes whittled down to three. What happened next, despite some equally lustrous playing, didn’t always work so well.What was I expecting? A banquet of the kind of pieces you don’t often get in a conventional concert – ballet music, operatic preludes and intermezzi, tone poems of up to 20 minutes in length. There Read more ...
Simon Thompson
You’d feel short-changed if an orchestra like the Budapest Festival Orchestra came to the Edinburgh Festival and didn’t play some Hungarian music, so why not put together a whole concert of the stuff? The musicians of the BFO are fiercely proud of their Hungarian heritage, and do a lot of work in local communities, so in many senses they are natural heirs to the heritage of Bartók and Kodály, which made them perfect composers for the middle night of their Edinburgh International Festival residency (★★★★★).And, oh, how naturally they play them! They were joined for Bartók’s Third Piano Read more ...
graham.rickson
Early editions of Swiss novelist Friedrich Dürrenmatt's 1958 novel The Pledge carried the subtitle “Requiem for the Detective Novel”, the writer’s point being that murder cases can take years to solve (if at all) and that those doing the investigating make mistakes. The story has been filmed several times before, Sean Penn’s starrily-cast version (released in 2001 with a weather-beaten Jack Nicholson in one of his last decent roles) the best known.Hungarian director György Fehér’s Szürkület (Twilight) is radically different in tone, a requiem for the crime thriller which unfolds at a daringly Read more ...
David Nice
To give the first performance of a dazzling fantasia in the context of a rangy sunny-evening-to-night concert, as pianists Pavel Kolesnikov and Samson Tsoy did in glorious Blythburgh Church, merits a gold medal in piano-duo enterprise. To premiere 15 new works in a single programme and adapt perfectly to the various styles, the Ligeti Quartet’s crowning glory of three events celebrating their namesake’s centenary, is simply superhuman."That must have been very atmospheric." commented a fellow audience member at the Ligeti experience who'd not been able to get to the Kolesnikov/Tsoy special (I Read more ...
graham.rickson
Mario Bava and Dario Argento are cited as key influences on Robert Sigl’s debut feature Laurin (1989). British viewers will also be reminded of the series of MR James ghost story adaptations broadcast by the BBC in the 1970s; a glimpse of a murdered child peering through a window eerily similar to a terrifying sequence in Lawrence Gordon Clarke’s macabre Lost Hearts. Éva Martin’s ornate, candle-lit sets are also redolent of vintage period drama.Sigl was in his mid-twenties when he wrote and directed Laurin, and it’s a surprise to learn that such a bold, confident debut didn’t lead to greater Read more ...
Boyd Tonkin
In today’s Britain, too many concert reviews have to begin with the vandalistic threats of damage or extinction that hang over their performers. Last week, it emerged that the BBC’s bosses may be open to negotiate an alternative future for its Symphony Orchestra that does not involve 20 per cuts in the personnel.We shall see: what’s beyond doubt is that Saturday’s programme at the Barbican saw a full-strength BBCSO, under their stalwart champion Sakari Oramo, display an exhilarating level of prowess and flair in every department. Others can, and will, ask why Britain’s national institutions Read more ...