Shostakovich
Levit, Sternath, Wigmore Hall review - pushing the boundaries in Prokofiev and ShostakovichSaturday, 05 April 2025
Igor Levit is a master of the unorthodox marathon, one he was happy to share last night with 24-year-old Austrian Lukas Sternath, his student in Hanover. Not only did Sternath get the obvious stunner of two Prokofiev sonatas in the first half; he... Read more... |
Classical CDs: Big bands, beasts and birdcallsSaturday, 05 April 2025
Vox Feminae: music by Barbara Strozzi, Antonia Bemba, Hieryonymus Kapsberger... Les Kapsber’girls/Albane Imbs (Alpha)What a complete transformation from one album to the next. The last one, Vous-avez dit brunettes? – "did you say... Read more... |
Sheku Kanneh-Mason, Czech Philharmonic, Bychkov, Barbican review - from Russia, with tough loveSaturday, 08 March 2025
Exactly half a century ago, Semyon Bychkov fled the USSR for the United States as he sought to swap tyranny for liberty. Last night, in a world that feels utterly different yet even more terrifying, the great conductor turned the stellar talents of... Read more... |
Biss, BBCSO, Hrůša, Barbican review - electrifying Shostakovich at a crucial timeSaturday, 01 February 2025
At the end of an exhausting week in which Holocaust Memorial Day struck a more urgent note than ever as fascism started tearing through the USA, parts of this concert were bound to hit hard. That they did so to the power of 100 was thanks to the... Read more... |
Classical CDs: Antiphons, ale dances and elvesSaturday, 11 January 2025
Paavo Järvi: The Complete Erato Recordings (Erato)Big box sets celebrating great conductors are piling up thick and fast, and this one, unusually, features an artist who’s very much alive. Paavo Järvi is just 62 (still young for a conductor).... Read more... |
Liepe, National Youth Orchestra of Ireland, Cottis, NCH, Dublin review - a spirited shot at ShostakovichMonday, 06 January 2025
There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to address climate change issues, was so bland and featureless it could have been composed by AI. Any one bar of... Read more... |
Kanneh-Mason, Sinfonia of London, Wilson, Barbican review - taking the roof off the BarbicanWednesday, 16 October 2024
A programme of less-loved siblings – Shostakovich’s gnarly Second Cello Concerto and Rachmaninov’s “not-the-Second” Symphony No. 1 – gave John Wilson and his Sinfonia of London the chance to do what they do best: force an audience to take a second... Read more... |
Classical CDs: Dinosaurs, harmonicas and final frontiersSaturday, 17 August 2024
Fauré: Requiem, Gounod: Messe de Clovis Le Concert Spirituel/Hervé Niquet (Alpha-Classics)It was as an avid fan of the short story author Saki that my eye was drawn to the title of Gounod’s Messe de Clovis, although the Clovis here is the... Read more... |
theartsdesk at the Ryedale Festival: dances, and songs, to the music of timeMonday, 29 July 2024
“Cherish the moments. They go ever so quickly.” Sheila Hancock, beloved actor, writer – and award-winning singer, notably of Stephen Sondheim in Sweeney Todd – gave us that carpe diem nudge in the course of an afternoon discussion of her favourite... Read more... |
theartsdesk Q&A: violinist and music director Pekka Kuusisto on staged Shostakovich, Sibelius, sound architecture and folk fiddlingMonday, 01 July 2024
Lilac time in Oslo, a mini heatwave in June 2023, a dazzling Sunday morning the day after the darkness transfigured of Concert Theatre DSCH, the Norwegian Chamber Orchestra’s from-memory Shostakovich music-drama. Pekka Kuusisto and I decide not to... Read more... |
Goldscheider, Royal Orchestral Society, Miller, SJSS review - fine horn playing from the very bestMonday, 17 June 2024
London’s non-professional orchestra sector is an undervalued asset to the city, and deserves more attention. And so last night I went to hear the Royal Orchestral Society, accompanying horn superstar Ben Goldscheider, and it proved a better way to... Read more... |
Gomyo, National Symphony Orchestra, Kuokman, National Concert Hall, Dublin review - painful brilliance around a heart of darknessSaturday, 11 May 2024
No soloist gets to perform Shostakovich’s colossal First Violin Concerto without mastery of its fearsome technical demands. But not all violinists have the imagination to colour and inflect the Hamlet-like monologue of its withdrawn first movement,... Read more... |
- 1 of 18
- ››
