adaptation
Best of 2020: FilmSaturday, 26 December 2020
It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of... Read more... |
Ma Rainey’s Black Bottom review - keeping things theatricalWednesday, 16 December 2020
There was always bound to be a hint of melancholy watching George Wolfe’s Ma Rainey’s Black Bottom. Try as you might to focus on the film, you can never quite shake the fact that you’re watching the final performance of Chadwick Boseman, whose life... Read more... |
A Christmas Carol, Dominion Theatre review - brash and bustling and snowy, tooTuesday, 15 December 2020
The twelve days of Christmas have nothing on the flotilla of Christmas Carols jostling for view this season, each of which is substantially different enough from the next so as to give Dickens's 1843 story its prismatic due. Hailing from Broadway,... Read more... |
A Christmas Carol, Bridge Theatre review - deluxe seasonal storytellingWednesday, 09 December 2020
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be enjoyed, usually led by the Old Vic in London, but this winter it feels like there’s an epidemic of adaptations. Whether this reflects an attempt to... Read more... |
His Dark Materials, Series 2, BBC One review – upping the ante whilst retaining the magicMonday, 09 November 2020
The first series of the BBC and HBO’s fantasy adventure His Dark Materials felt even more timely than when author Phillip Pullman first published Northern Lights twenty-five-years ago. The second season builds on the heady mix of philosophy and... Read more... |
The Witches review – new take lacks magicFriday, 30 October 2020
A long shadow looms over Robert Zemeckis’ new take on Roald Dahl’s classic 1980s book The Witches, starring Octavia Spencer, Anne Hathaway and newcomer Jahzir Bruno. That shadow is cast by Nicholas Roeg’s strange and terrifying 1990 adaptation... Read more... |
Shirley review - hothouse art film about American horror writerThursday, 29 October 2020
Shirley is one of those films that the mood you’re in when you watch it will dictate whether you think it’s a great psychological horror movie or overheated and pretentious. Go to the cinema wanting to be plunged into a fever dream of gothic... Read more... |
The Secret Garden review - blooming charmingSunday, 25 October 2020
With Netflix releasing Rebecca on Wednesday, who’d have thought that a kid’s film would be this week’s best adaptation about an estate haunted by the memory of the deceased lady of the manor? Written and directed by the team behind Channel 4’s... Read more... |
Summer of 85 review - a tender, tragic coming-of-ageFriday, 23 October 2020
Intriguingly, Summer of 85 could have been François Ozon’s very first film. Back in the mid-Eighties the French director was much taken by Dance on My Grave, the YA novel by Aidan Chambers on which it’s based, its youth-romance, coming-of-age story... Read more... |
The Great Gatsby, Immersive London review – a warm and electric tribute to the bookFriday, 23 October 2020
The Prohibition-era setting of The Great Gatsby brings an appropriately illicit feel to this bold decision to stage an immersive theatre event in the age of Covid. Where, in 1922, champagne was the essential liquid to get any evening going... Read more... |
Brave New World, Sky 1 review - Aldous Huxley's novel doesn't look very happy on TVSaturday, 10 October 2020
Famous dystopian novels are reliably popular with TV adapters, so it’s strange that this is the first time Aldous Huxley’s treatise on a society controlled by technology and psychological manipulation has been turned into a TV series. Of course,... Read more... |
The Best Films Out NowMonday, 05 October 2020
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in... Read more... |
