sat 30/11/2024

adaptation

Slow Horses, Season 4, Apple TV+ review - Gary Oldman returns as the 'gross and inappropriate' Jackson Lamb

News reaches us that Gary Oldman has mysteriously been vetoed from playing George Smiley in a new film version of Smiley’s People, despite his Oscar-nominated performance as John le Carre’s wiley spymaster in 2011’s Tinker Tailor Soldier Spy. Oldman...

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The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent production

On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side...

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The Years, Almeida Theatre review - matchless acting quintet makes for a must-see

The title sounds as if we ought to be in for an evening of Virginia Woolf, and, indeed, one of the astonishing women on view (Deborah Findlay) was in fact a co-star of the recent West End version of Orlando. In fact, this late-summer offering is a...

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Visit from an Unknown Woman, Hampstead Theatre review - slim, overly earthbound slice of writer's angst

Who was Stefan Zweig? It's likely that it's mostly older folk who studied German literature at A-level who have encountered this superb Viennese writer in his native language, though his short story from 1922, Letter to an Unknown Woman, eventually...

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Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on

It is a truth universally acknowledged that an actor tends to take a sympathetic view of the character he inhabits, however morally questionable. Adrian Lukis, who played the handsome, roguish militiaman, George Wickham, in Andrew Davies's (still...

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The Beast review - AI takes over the job centre

Adaptations of Henry James have often failed to click over the years. The author’s private, introspective works – sightseeing trips around people’s souls – seem hard to transpose into a crowded gathering where someone keeps yelling “Action!”.So it’s...

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Bluets, Royal Court review - more grey than ultramarine

When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie Mitchell’s staging of Margaret Perry’s adaptation of Maggie Nelson’s Bluets – despite the casting of...

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The Winter's Tale, Royal Ballet review - what a story, and what a way to tell it!

If there is a more striking, more moving, more downright enjoyable way to experience Shakespeare’s second-from-last play, I have yet to see it. The Winter’s Tale, originally a “romance” in five acts, is widely regarded as a problem play, not only...

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Spirited Away, London Coliseum review - spectacular re-imagining of beloved film

Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking Grave of the Fireflies, but they revere Spirited Away, their, our, The Godfather and The Wizard of Oz rolled into one. Totoro has been magnificently...

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Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fi

Towards the end of David Haig’s new adaptation of Philip K Dick’s 1956 science fiction short story, someone asks if three humans who have been symbiotically connected to a massive AI computer for a decade can survive the experience.Yes, she’s told...

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Blu-ray: The Dreamers

Isabelle (Eva Green) leans over, her long hair catches fire from a candle, and Matthew (Michael Pitt) devotedly snuffs it out. She doesn’t miss a beat at this real-life accident, consumed already by The Dreamers’ closed world of a Left Bank...

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London Tide, National Theatre review - haunting moody river blues

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this description, by Charles Dickens in his 1865 novel, Our Mutual Friend, of his character Sloppy’s ability to read...

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